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Robert Rodriguez writes and directs this highly stylised, ultra-violent, revenge thriller inspired by the grindhouse movies of the 1970s. Danny Trejo stars as Machete, a renegade former Mexican Federale who, having escaped the clutches of notorious Mexican drug baron Torrez (Steven Seagal), now roams the streets of Texas delivering his own unique brand of justice to the greedy and corrupt. (Sony Pictures Releasing)

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Marigold 

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English With similarly tuned retro images, it is difficult to find a reasonable line between piety, parody and seriousness, if I paraphrase the words of one of the protagonists: Machete didn't cross the line, the line crossed Machete. This film is the most entertaining and dullest spectacle I can imagine in the genre. If I’d had it on VHS in the 1980s, I’d undoubtedly have long hair, a black mustache and a sharpened machete. And a girl with one eye. [85%] ()

kaylin 

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English A great B-movie exactly in the style that resonates with me. It’s action-packed, gritty, blood-soaked, and with an excellent main character. Great scenes that I can still vividly recall in my mind. It's a bit of a shame that Rodriguez doesn’t occasionally dismiss the digital effects and instead opts for the old-school path of practical effects. It would fit quite well with a B-movie, even though it's a modern B-movie. But otherwise, I had a great time with it. ()

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J*A*S*M 

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English So, that little grindhouse flick that was shadowed by Stallone’s The Expendables turned out to be something completely outrageous that knows no limits. A perfect dose of trash and self-awareness. Trejo! Seagal! Alba! De Niro! Fahey! Lohan! Rodriguez! Rodriguez! While The Expendables fool around… ()

lamps 

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English Typical Rodriguez: self-absorbed, wallowing in unnecessary perversions at the expense of a better developed story and the characters themselves, who under his baton are nothing but necessary figures without a sense of humour and exaggeration. And neither Danny Trejo's rugged expression, who is only in the film anyway because of his sharp machetes, nor Robert De Niro's villain, who is at least a pleasant refresher in Rodriguez's absurd world without boundaries, can change things. But it can’t be denied that the film is brutal action entertainment, very funny at times and that Jessica Alba's sexy backside is worth more than a dude hanging by his guts. If it was made by Tarantino, he would certainly have brought the necessary mafia touch to the story and steered it on the right action track, and Machete may have been an unattainable genre gem. As it is, however, it's just a shabbier little brother to Stallone's more stylish and straightforward The Expendables. ()

Matty 

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English –Cuban? –Mexican. It’s such a shame that Rodriguez didn’t have the balls to shoot the whole of his Mexploitation flick as crudely as he filmed the über-muthafucka prologue... I found that regrettable until the scene with entrails. The film’s superficial refinement only draws attention away from the self-confident (and self-conscious, as evidenced by the involvement of the uncensored internet) contempt for common sense, good taste and every conceivable kind of political correctness. Machete is an exploitation movie for multiplexes, but that doesn’t mean that it would lack machetes, machine guns, boobs, gore, sexy nurses, a murderous nun, a one-eyed avenger, Steven Seagal, Tom Savini and a  pissed-off Mexican with a weed whacker. You can either accept this film in all its simplicity and bombast and enjoy the ruthless fun, or look for a more sophisticated view of the world. This time, I’m giving a strong four-start rating and posing a simple question: why always complicate things? 85% ()

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