Directed by:
George NolfiScreenplay:
George NolfiCinematography:
John TollComposer:
Thomas NewmanCast:
Matt Damon, Emily Blunt, Anthony Mackie, Michael Kelly, John Slattery, Lauren Hodges, Terence Stamp, Dan Marshall, Jon Stewart, James Carville (more)VOD (1)
Plots(1)
Do we control our destiny, or do unseen forces manipulate us? Matt Damon stars in the thriller The Adjustment Bureau as a man who glimpses the future Fate has planned for him and realizes he wants something else. To get it, he must pursue the only woman he’s ever loved across, under and through the streets of modern-day New York. On the brink of winning a seat in the U.S. Senate, ambitious politician David Norris (Damon) meets beautiful contemporary ballet dancer Elise Sellas (Emily Blunt) - a woman like none he’s ever known. But just as he realizes he’s falling for her, mysterious men conspire to keep the two apart. David learns he is up against the agents of Fate itself - the men of The Adjustment Bureau - who will do everything in their considerable power to prevent David and Elise from being together. In the face of overwhelming odds, he must either let her go and accept a predetermined path… or risk everything to defy Fate and be with her. (official distributor synopsis)
(more)Reviews (12)
I’m sorry, but if someone is predestined for something big, they shouldn’t waste their time with love, which is nothing but a solace for blundering mortals! :-) Anyway, The Adjustment Bureau is a nice genre crossover flick that places a hackneyed romance plot in an original setting and enriches it with interesting musings about destiny. A week after watching it, I’m increasing my rating to four stars thanks to the film’s originality. If it had a different, sadder ending, I wouldn’t have hesitated.
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Most people say it’s a pleasant surprise, but I knew at the beginning of the year that The Adjustment Bureau would be a hit, so the resulting 70% impression remains slightly below my expectations. In any case, it’s a pleasant and playful film in every sense. The outlined mythology of the gentlemen with hats is interesting and I would love to look deeper into it, maybe at the expense of the romantic retro line of a man in trouble and a woman unaware. But I’m being unnecessarily critical. The Adjustment Bureau works perfectly as a romantic sci-fi/fantasy snack, there’s no reason to complain. The ending it’s a pity, though, everything is sorted out almost too smoothly. A successful début no doubt.
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A story from life. Except for the fact that my "angels" don't wear stylish hats. Plus there’s the excellent Damon, the great Blunt, a good soundtrack, and on top of that the visual fetish of Manhattan. Maybe in time, it will fade, but now it hit harder than anything else in the last year or so. [Spoiler possibility: I'll have to read Dick’s book, if only for the fact that I’m interested to see if the same wave of positive feelings spills over at the end as with the movie. :)]
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I will gladly appreciate any interesting and original Hollywood screenplay. The Adjustment Bureau has exactly this kind of unusual screenplay, which on one hand is full of clichés, but on the other hand also full of ideas that are nice to think about. Matt Damon and Emily Blunt performed their standard and they fit perfectly into the film. It is full of great ideas and open thoughts, which will always remain just thoughts. But they are thoughts that are worth considering.
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A nice surprise. Damon and Blunt are strong together, and Nolfi's attempt to diversify the romance of the (ex)congressman and dancer with the sci-fi element of "destiny controllers" worked, especially since his retro approach shows exaggeration, not an attempt to extract something extremely effective from Dick's story. Against each other stand a politician in love and a cute bunch of officials in hats, in whose scuffed notebooks a clear probabilistic map of the world is written. If we stop looking for philosophical consistency or logic in this, The Adjustment Bureau will reward us with a surprisingly fresh mix of thriller and romantic drama. Unlike 500 Days of Summer or Eternal Sunshine of the Spotless Mind, the film doesn’t quite have poetics, but debutant Nolfi is very skilled and knows what he wants to shoot. After my initial skepticism and sarcasm (four old men in bucket hats run the world? WTF?) I just had a great time (although with my eyebrows raised every now and then), which I don't usually do with film love stories. Points for Nolfi. P.S. I finally understand where Mr. Tau came from.
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I fell in love with the movie the moment David fell in love with Elise. The first time they met in the bathroom gave me chills. I've been falling for it ever since. The idea of the hats as a "key" to the door was extremely original. The final scene, when the lovers hugged each other and said those beautiful words to each other instead of any reaction, moved me tremendously. A film full of loving decisions and actions…
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On top of a clichéd romantic subplot, complete with a final dash to rescue love, there’s a lightly exaggerated sci-fi element meant to explore themes like determinism and free will. Meanwhile, the guys in hats are just a cheap bunch of cockblockers that the office director might as well have put to polishing the handles of portal doors. Maybe what was missing at the end was a little touch, like Coldplay in Wicker Park, to give it a similar impact. Instead, I endured an unconvincing whiner who hops around like a lovesick bunny after Emily Blunt (which is understandable) and the hopes I placed in Terry Stamp's post-coitum pill also went unfulfilled. Ultimately, New York itself and Anthony Mackie, who becomes another Bagger Vance for Damon, are the most effective elements.
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Has it ever happened to you that you meet Ms (or Mr) Right and circumstances spoiled it all for you? Well it wasn’t the circumstances, but guys in hats controlling your fate. A refreshing plot, even fateful romance (Dick is an endless fountain of ideas), excellently transformed into movie format. Nolfi may not be Spielberg or Scott, but he best captures the playfulness and versatility of P.K. Dick’s imagination. Matt Damon plays another nice guy and Emily Blunt is surprisingly well matched to him. Maybe it doesn’t deserve a clean five, but I have a weakness for this genre. And Thomas Newman rocks again.
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Matt Damon almost forgot what it's like to have the role of an honest nice guy. Fortunately, he definitely hasn't forgotten the art of acting, and it was mainly him, along with the excellent and natural Emily Blunt, who carried this peculiar film forward. Excellent dialogues, screenplay, and dramaturgy, some of the sci-fi elements may be unnecessary and the overall philosophy of the film is slightly over the top. But it is satisfactory within the realm of intelligent and undemanding popcorn entertainment, satisfaction. It is certainly a creation that, although fairly original in terms of premise, will not have a specific audience, but will captivate a wide range of dumb people. In most things, it is very uncontroversial and organized. I see it as a slight flaw, but fans of dumb movies will appreciate it.
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I say it all the time: Do you want an original sci-fi idea? Close your eyes, stick your hand in the pile of Phillip K Dick's unfilmed thoughts, don't mess it up and success is guaranteed. Like, for example, The Adjustment Bureau. The short and unremarkable short story “Adjustment Team" (which begins with a dialogue between two clerks, one of whom is a man and the other a dog, the dog being big and black, and I'll bet that in the film adaptation he became the black janitor, because they both make practically the same mistake - they fall asleep) has become an original sci-fi "angel-god" fairy tale without unnecessary action scenes, without violence and without expensive special effects, which is very pleasant to watch. The debuting director handled it well, The Adjustment Bureau is pleasantly magical from start to finish, the actors also played their part... Yes, I am satisfied.__P.S. Anyone who wants to read the story will find it in the second volume of the collection “Second Variety".__P.P.S. Now, Hollywood, please make me a movie of that blackly humorous book “Counter-Clock World". Thank you.
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This film may not be great within the genre, but it’s so original that it's above average. A great combination of a romantic plot with a sci-fi theme, excellent casting and Newman's rhythmic soundtrack. The main character stunned me with his behaviour, he was going against his destiny for his desired love, and I wished him luck. The final happy ending felt a bit contrived, but as I said, I was really looking forward to it this time. 75%
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This is the type of film that tries to mess with your thoughts. There are surprising twists and interesting sci-fi elements, and overall, it's sufficiently intriguing and entertaining. Moreover, they managed to cast excellent actors, not just for the two main roles. The Adjustment Bureau is also quite a good title, giving it a somewhat Dickensian vibe. After all, it is reflected in the story itself.
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