Godzilla

It's big, it's stupid, Roland Emmerich filmed it. No, I didn't pick that guy out, I didn't know who filmed it at first, but when I looked at this gentleman's filmography, everything was clear to me. What I don't know is how someone can spend that kind of money to promote a film in which "it's going to be big and it's going to stomp everything and sell like a plastic figurine on Uncle Donald's menu," was probably written in the script. Why Jean Reno plays in such a wretched role is a mystery to me, but then again, everyone needs to make a living... This Hollywood direction of "a lot of effects, not enough story" is an atrocity that I will avoid in the future. At least Peter Jackson and his King Kong will set a new standard. Roland, dear boy, you don’t have that much of a lack of talent to be funny like Ed Wood... You have a deficiency that bothers. (25/01/2004)

I don't know if the film has matured, or if I have, either way, whatever qualms I had with Emmerich's Godzilla are gone. It's an excellent disaster comedy with consistently impressive visual effects that can be compared to Independence Day without exaggeration, thanks in part to Arnold's excellent score. (23/10/2009)

Roland Emmerich disregards the basic rule of kaiju films and immediately presents us with the monster in the first few minutes. He loses out on a strong weapon this way, which unfortunately falters over time, even with moments that are quite intense. This could still be overlooked if it weren't just nonsense with a big monster, where most scenes don't make much sense and are piled on top of each other just because of the writers. Godzilla from 2014 isn't brilliant, but it understands the genre much better and updates it for the modern era. (29/05/2014)

Godzilla is a B-movie brainchild to such an extent that the measure of its success is no longer the age-old sympathy directed towards the fascination with something monstrously powerful and seemingly invincible, but only Emmerich's traditional faith in a wide audience with a tolerance for a film that's silly and also disrespectful to its predecessors that looks so cool regardless that we'll go see it anyway, and the German demolition man knows how to do that like few others. His vision of a clash between a heroic (but surprisingly stupid) American army and a gloriously overgrown lizard, however endearingly illogical and ridiculously megalomaniacal, really does seem like a dream come true for most little boys, who at the word Godzilla imagine just as much destruction and trampled-down goons in uniform as Mr. Emmerich "sacrificed" for the film. Moreover, it's all terribly suited to the targeted humour and Jean Reno in particular, whose character eventually becomes a very iconic figure. Anyone who didn’t have fun with the superbly edited and choreographed car-Godzilla chase is not normal. In the past, enthusiasm, today, and taking into account Edwards’s epic remake, just a little harmless joy... 3 and 1/2* (27/05/2014)

Roland Emmerich's penchant for monstrous effects in films without any stable meaningful plot was already evident here with Godzilla. This movie is actually a lot of scenes that were done to suit the director regardless of whether or not they make sense. Virtually all of Godzilla is about decent visual and sound effects with enjoyable music. That's all I can see! The script and the actors ... let's be honest, this is not how solid movies should be. Perhaps the only excuse is that it was a blockbuster that eventually flopped so badly that no further sequels could be made. Too bad, the ending was really a gateway to the next installment. In short, a technically proficient film, but artistically rather bland. I still watch it once a year, though. (29/08/2010)