Godzilla

Godzilla is a hit, but a slightly questionable one. It can never be taken seriously, even a little bit. Unfortunately, sometimes it seems that way (the music, the script), but if you consider the cast and the overall atmosphere, it is clear that they all had a great time on set. Technically, it is very variable, with almost perfect static shots of Godzilla in the city alternated with striking computer-generated scenes of fast chases between skyscrapers. Logically, the movie is very silly (Godzilla moving in underground tunnels?), but as an entertaining break and a showcase of all possible and impossible effects, why not? Is not that often that you see a devastated Manhattan. Roland Emmerich wanted to entertain, not frighten. (08/05/2005)

Godzilla is a bland cocktail of popcorn entertainment mixed up from dozens of older films about all kinds of lizards. Matthew Broderick is uninteresting in the lead role, Maria Pitillo is hysterical and the irradiated lizard, as tall as a mid-sized skyscraper, passes through the narrow tunnels of the New York subway without a single tremor or sound. So why am I giving Godzilla three stars? Because that’s the average between one and five. The duo of Roland Emmerich/Dean Devlin gets one star and the visual-effects masters get five. As does the laid-back Jean Reno, who justifies his participation in this fiasco with his sense of responsibility for the nuclear test explosions carried out by his native country in French Polynesia. (11/04/2002)

I don't know if the film has matured, or if I have, either way, whatever qualms I had with Emmerich's Godzilla are gone. It's an excellent disaster comedy with consistently impressive visual effects that can be compared to Independence Day without exaggeration, thanks in part to Arnold's excellent score. (23/10/2009)

I actually enjoy Emmerich's much-maligned "Zilla." As a kid, I was obsessed with this film, and even though that obsession has waned, it's still a fun kaiju flick I like to revisit every now and then. Despite the long runtime, the movie moves along well, with an engaging plot, decent effects, and likable characters. It's the perfect movie for a laid-back Sunday afternoon. No brainpower required. (21/04/2018)

Roland Emmerich disregards the basic rule of kaiju films and immediately presents us with the monster in the first few minutes. He loses out on a strong weapon this way, which unfortunately falters over time, even with moments that are quite intense. This could still be overlooked if it weren't just nonsense with a big monster, where most scenes don't make much sense and are piled on top of each other just because of the writers. Godzilla from 2014 isn't brilliant, but it understands the genre much better and updates it for the modern era. (29/05/2014)