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Get ready for a "riotous" adventure as Peter Sellers returns as the hapless Inspector Clouseau in his second Pink Panther film. Assigned to a high-profile murder case, Clouseau finds himself falling (literally) for the prime suspect - a beautiful maid named Maria, whose talent for being in the wrong place at the wrong time almost rivals Clouseau's. But as the body count grows higher - and Maria's criminal record grows longer - Clouseau will have to find the real culprit quickly... or his career will be finite! (20th Century Fox AU)

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Reviews (7)

D.Moore 

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English Say "Inspector Clouseau" in front of me and I'm very likely to recall a scene from this very film. The exit from the car into the fountain, the fall from the window, the devastating interrogation of the suspect (devastating for the inspector's suit), several rides in the police car, billiards, a series of attempted murders, the final confrontation between everyone, during which the protagonist just looks helplessly into the camera... Peter Sellers is phenomenal, and you can easily believe his character could bring a tube of pills into a mental institution. ()

Gilmour93 

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English “Give me ten men like Clouseau and I could destroy the world.” Certainly, this kind of slapstick may seem somewhat childish, but thanks to Sellers, it is undoubtedly stylish. Additionally, the increasingly unhinged Dreyfus, the clumsy Cato, and the assistant Hercule, whose expression reflects a magical combination of hidden disdain and clear ignorance, enter the scene. The final gathering of suspects in one room recalls the methods of a certain Belgian colleague, but with the difference that the demon of clumsiness from Sûreté here evidently loses control of the case. Although… how can you lose something you never had? ()

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kaylin 

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English It's incredible the scenes and jokes that were managed to be devised in this film. Clouseau, as portrayed by Peter Sellers, fully transforms into his classic character here, and it's him who carries the whole film, although, of course, it wouldn't work without Elke Sommer and Herbert Lom. Great elements that make an excellent whole. ()

novoten 

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English Finally, Clouseau as the main character and immediately a hint at a complete cult. Although it took two more films for that to happen, all the unforgettable trademarks were already present here. The omnipresent Kato, the exaggerated accent ("yes, mules"), and above all, Dreyfus – originally just a skeptical boss and gradually becoming an increasingly crazy victim of the uncontainable incompetence of his subordinate. ()

Othello 

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English When I was eight years old, I used to eat up the escapades of a mustachioed moron man who breaks everything he can and blames it on anyone but himself. Even my parents started calling me Clouseau, the bastards, due to my lack of some basic motor skills and persistent lack of focus. Anyway, with a nostalgic tear in my twenty-three years, I was quite looking forward to the revival of the legend of my use. Of course, no such luck. A Shot in the Dark is still borderline humorous for eight-year-olds. Closeau keeps falling, smashing, ruining, etc. with such vigor that it gets annoying after a short while. The awful Sellers doesn't really add much to it, nor does the supremely routine interior direction. Some moments are funny, not that they aren't (there are about five of them), but overall it's really quite spasmodic rubbish benefiting from the most basic (and therefore most infantile) joke, namely "A man went and stepped in shit". The rating is a testament to the idiotic habit of users to star movies they saw as a kid and remember that it was "pretty funny and my brother and I had a good laugh", and partly the fault of the nerds, of course. ()

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