Directed by:
Marc WebbCinematography:
Eric SteelbergCast:
Joseph Gordon-Levitt, Zooey Deschanel, Geoffrey Arend, Chloë Grace Moretz, Matthew Gray Gubler, Clark Gregg, Rachel Boston, Minka Kelly, Patricia Belcher (more)Plots(1)
Tom (Joseph Gordon-Levitt) believes, even in this cynical modern world, in the notion of a transforming, cosmically destined, lightning-strikes-once kind of love. Summer (Zooey Deschanel) doesn't. Not at all. But that doesn't stop Tom from going after her, again and again, like a modern Don Quijote, with all his might and courage. Suddenly, Tom is in love not just with a lovely, witty, intelligent woman - but with the very idea of Summer, the very idea of a love that still has the power to shock the heart and stop the world. The fuse is lit on Day 1 when Tom, a would-be architect turned sappy greeting card writer, encounters Summer, his boss's breezy, beautiful new secretary, fresh off the plane from Michigan. Though seemingly out of his league, Tom soon discovers he shares plenty in common with Summer. By Day 31, things are moving ahead, albeit "casually". By Day 32, Tom is irreparably smitten, living in a giddy, fantastical world of Summer on his mind. By Day 185, things are in serious limbo - but not without hope. And as the story winds backwards and forwards through Tom and Summer's on-again, off- again, sometimes blissful, often tumultuous dalliance - all of which adds up to a kaleidoscopic portrait of why, and how, we still struggle so laughably, cringingly hard to make sense of love and to hopefully make it real. (20th Century Fox AU)
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Reviews (10)
I don't know. It wasn't very funny for a comedy, it was suspiciously too similar to the others for a romantic movie that was supposed to be different from the others... And I really had to do my best to hold on to the end with my eyes open. Of course it was nice film, and everyone will probably find something they like at least once in the plot, but I don't think that it was "different". Even the jumping around in the plot, which seems imaginative at first, seemed to me to be somehow unnecessary - what actually enriched Tom and Summer's story? Weren't they just regular flashbacks, just numbered by day? I'm probably digging too deep, I know. Anyway, not to blab - the central couple was really likable (I even got used to Joseph Gordon Levitt, who got on my nerves at the beginning with his perpetual smile), I liked the Amélie de Montmartre scenes (a funny introduction to the protagonists, too bad it only happened at the beginning), a pleasantly listenable soundtrack, one dance scene (Han Solo!?) and the character of the "little" wise sister. But that's about it.
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500 Days of Summer is a sweet romantic dramedy with a likable cast in the lead roles and an unconventionally portrayed relationship between two people who meet by chance. Aside from the narrative style, which was purposefully non-linear, I liked the uncharacteristic ending, which gives a run for its money to the vast majority of overseas films of a similar genre. In short, a film suitable for brightening up a day in which love, fatality, disappointment and hope collide.
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You can feel the tremendous energy from the start, it's charmingly imaginative, very sensitive, and very "communicative". What's also interesting is the kind of haze of mystery and uncertainty you'll want to share with Joseph. I almost didn't even breathe during the expectations/reality scene, because it was so evocatively delivered, thanks to Marc Webb's skill and sensitivity, it had quite an archetypal effect on me (and of course, purely personal memories came up for the occasion). I also liked very much how balanced it was in terms of content (or information) – on the one hand, it thoroughly demonstrates the positivity and pleasant things that come out of falling in love (the dancing, going to work scene was without flaw in this respect) and on the other hand, the subsequent huge inner mess is depicted fittingly, perhaps at times a bit violently. The seemingly unformulaic treatment also added some points to the result, so at this point I'm not afraid to include (500) Days of Summer among what I consider high-quality and tasteful among romantic films.
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A fresh and new approach to the material with excellent casting. The two main virtues of this interestingly presented and positive comedy, where the wave of seriousness and sometimes bitterly cynical undertones resonate perfectly with the archetypal premise of all romantic films, are love and everything around it. Webb got it right, it's from life, and while it seems mature and adult at times, it's actually a teen issue in every way.
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Someone else wrote it… doesn’t make it any less true. A beautiful, nice, poetic and extremely brisk film, where romance can both caress and bite until it breaks the skin... just like in life. Perhaps the conclusion could have been a little less of a fairytale. However, (500) Days of Summer is a fairytale, but this fact does not take the cute banal force out of Webb's film. Probably the biggest surprise of last year from the American mainstream.
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