Directed by:
Marc WebbCinematography:
Eric SteelbergCast:
Joseph Gordon-Levitt, Zooey Deschanel, Geoffrey Arend, Chloë Grace Moretz, Matthew Gray Gubler, Clark Gregg, Rachel Boston, Minka Kelly, Patricia Belcher (more)Plots(1)
Tom (Joseph Gordon-Levitt) believes, even in this cynical modern world, in the notion of a transforming, cosmically destined, lightning-strikes-once kind of love. Summer (Zooey Deschanel) doesn't. Not at all. But that doesn't stop Tom from going after her, again and again, like a modern Don Quijote, with all his might and courage. Suddenly, Tom is in love not just with a lovely, witty, intelligent woman - but with the very idea of Summer, the very idea of a love that still has the power to shock the heart and stop the world. The fuse is lit on Day 1 when Tom, a would-be architect turned sappy greeting card writer, encounters Summer, his boss's breezy, beautiful new secretary, fresh off the plane from Michigan. Though seemingly out of his league, Tom soon discovers he shares plenty in common with Summer. By Day 31, things are moving ahead, albeit "casually". By Day 32, Tom is irreparably smitten, living in a giddy, fantastical world of Summer on his mind. By Day 185, things are in serious limbo - but not without hope. And as the story winds backwards and forwards through Tom and Summer's on-again, off- again, sometimes blissful, often tumultuous dalliance - all of which adds up to a kaleidoscopic portrait of why, and how, we still struggle so laughably, cringingly hard to make sense of love and to hopefully make it real. (20th Century Fox AU)
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Reviews (10)
A nostalgic ride into the past, when all this stuff still meant something. Marc Webb turns the tables skillfully and doesn't forget to add the bad to the good. Joseph Gordon-Levitt is excellent as the idealistic young man who one will day become a dad who will watch 500 Days of Summer on TV because Disney+ told him he might be interested.
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I don't know. It wasn't very funny for a comedy, it was suspiciously too similar to the others for a romantic movie that was supposed to be different from the others... And I really had to do my best to hold on to the end with my eyes open. Of course it was nice film, and everyone will probably find something they like at least once in the plot, but I don't think that it was "different". Even the jumping around in the plot, which seems imaginative at first, seemed to me to be somehow unnecessary - what actually enriched Tom and Summer's story? Weren't they just regular flashbacks, just numbered by day? I'm probably digging too deep, I know. Anyway, not to blab - the central couple was really likable (I even got used to Joseph Gordon Levitt, who got on my nerves at the beginning with his perpetual smile), I liked the Amélie de Montmartre scenes (a funny introduction to the protagonists, too bad it only happened at the beginning), a pleasantly listenable soundtrack, one dance scene (Han Solo!?) and the character of the "little" wise sister. But that's about it.
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I watched this film more out of curiosity due to its popularity, but I honestly didn't see anything special about it at all. It is hardly funny, not intelligent or entertaining enough to grab your attention. Joseph Gordon-Levitt is likable, but Zooey Deschanel was an ugly bitch whom I found very unlikeable, I didn't really root for their strange relationship. It didn't sit well with me. A run-of-the-mill unremarkable romantic drama like any other. 55%
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This is not a love story.. Maybe not, but romantics will still adore this tale. Marc Webb simply had to recreate so many natural feelings and moods from life, so accurately, that I definitely won't be the only one who sees themselves in Tom. With each passing year, the turmoil becomes more relevant.
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I'll admit, I rarely watch romantic movies anymore because, in that stereotypical whirlpool, there are only very few titles worth watching. The vast majority of those genre pieces are made as if following a template and differ only slightly in doses of naivety and, when it comes to teenage matters, even in the level of tastelessness. (500) Days of Summer really stands out from this flood because it has honest craftsmanship and a few decent ideas as well as pleasant casting. But from my perspective, it's by no means a cult film. It was allegedly a huge hit at the Sundance Festival, but any major studio could have easily financed this Webb film. In fact, it is purely a mainstream affair. If stars were given for the best mainstream romance of the year, (500) Days of Summer would probably win hands down, but that's not how it works for me. It differs from the usual productions mainly by the fact that the screenwriter admitted that not every romantic love ends in marriage, but if they want to sell me these discoveries, they should turn to someone else with such banalities. After two days, I can only remember very little from the film. It's pleasant enough for one viewing, but nothing more. Overall impression: 60%.
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