Directed by:
Duncan JonesScreenplay:
Nathan ParkerCinematography:
Gary ShawComposer:
Clint MansellCast:
Sam Rockwell, Kevin Spacey, Dominique McElligott, Kaya Scodelario, Benedict Wong, Matt Berry, Malcolm Stewart, Gavin Rothery, Edgar ArreolaVOD (1)
Plots(1)
Duncan Jones, who won the 2010 BAFTA for Most Promising Newcomer, writes and directs this critically-acclaimed space isolation drama starring Sam Rockwell as Sam Bell, a worker for Lunar Industries who is nearing the end of a three-year contract to mine the moon's surface for the precious gas Helium 3, the solution to Earth's energy crisis. As he approaches his return to Earth, Sam reflects on the lessons he has learned during his prolonged isolation and looks forward to his reunion with his wife and young daughter. But a fortnight before his departure he starts seeing and hearing strange things that lead him to suspect that his employers intend to replace him in a far more sinister way than he imagined. Kevin Spacey provides the voice for Sam's only companion, a small robot called Gerty. (Universal Sony Pictures Home Entertainment)
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Reviews (11)
A captivating and very gradual flight through loneliness and lost identity. A soft camera, sensitive directing, dreamy music and Sam Rockwell, whose performance of the schizophrenic "mind-fucking" (as he called it) looks like an air ballet. Moon may not be philosophically or deeply spectacular, but with all the imperfections and indie smudges from tar, this is a film that is easy to fall in love with.
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Great sci-fi film. At the beginning I was afraid that what is immediately clear to smart viewers would turn out to be the shocking twist, but fortunately, the creators weren’t so naive. Moon delivers a very intelligent story, eye-candy visuals, excellent music (and catchy, I still can’t get that melody out of my head), and also emotionally strong scenes. All that together results in a unique movie that no fan of science fiction, or cinema in general, should miss. Basically flawless 5*.
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Danny Boyle is often thought about, but in my opinion wrongly. Jones’s story could easily have been set on Earth, but then it lacked the "Cameron-esque" detachedly cool industrial setting that perfectly supports the film's events. The story isn't rocket science but instead rides along a strong emotional level of a lonely man, which was a challenge accepted by Sam Rockwell, who did his job with incredible grace. Not to be unfair to the director - especially the opening paranoia and the schizophrenic feel of the second half do make us think - but Rockwell's acting, backed by Mansell's excellent score, actually "made" this film. It’s an unconventional film experience, though probably without a significant audience response.
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In the end it just doesn’t have what it takes for the legendary status enjoyed by milestones in intelligent sci-fi such as Space Odyssey or Blade Runner (the screenplay holds it together, but there are a couple of screaming lapses of logic), but a few times while I was watching it did occur to me that it isn’t that far off. Plus, Moon has huge potential to mature with time. And who knows, maybe there will come a time when I will have to change my comment at the beginning. P.S.: Lots of those lapses of logic may be solved by the theory about radiation sickness, but not all of them by far...
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A well-mixed blend of slow editing, brilliant camerawork and beautiful sets that, while not groundbreaking in the final analysis, is definitely a force to be reckoned with. Duncan Jones lets the film flow slowly, but this does not prevent him from surprising the viewer several times with the unexpected complexity of the plot, which gradually comes to light. That said, the director made a bit of a mess of it, because even though the script tries to explain everything quickly and succeeds quite well, there are still a few question marks at the end. No one can beat Kubrick's Odyssey, after all, but Moon at least reminded me pleasantly of it. And also, Sam Rockwell is a fine actor and Duncan Jones is a director who’s yet to say his last word...
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