Directed by:
Duncan JonesScreenplay:
Nathan ParkerCinematography:
Gary ShawComposer:
Clint MansellCast:
Sam Rockwell, Kevin Spacey, Dominique McElligott, Kaya Scodelario, Benedict Wong, Matt Berry, Malcolm Stewart, Gavin Rothery, Edgar ArreolaVOD (1)
Plots(1)
Duncan Jones, who won the 2010 BAFTA for Most Promising Newcomer, writes and directs this critically-acclaimed space isolation drama starring Sam Rockwell as Sam Bell, a worker for Lunar Industries who is nearing the end of a three-year contract to mine the moon's surface for the precious gas Helium 3, the solution to Earth's energy crisis. As he approaches his return to Earth, Sam reflects on the lessons he has learned during his prolonged isolation and looks forward to his reunion with his wife and young daughter. But a fortnight before his departure he starts seeing and hearing strange things that lead him to suspect that his employers intend to replace him in a far more sinister way than he imagined. Kevin Spacey provides the voice for Sam's only companion, a small robot called Gerty. (Universal Sony Pictures Home Entertainment)
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Reviews (11)
Dystopian sci-fi paranoia that makes strange use of cheap moon sets, technical miniatures that take us 25 years back in time, and Sam Rockwell's one man show. It's bleak, dark and depressing, but with a very lively script without unnecessary crutches. I didn’t mind the open ending, but the unbalanced pace and small budget are far worse, which unfortunately sends the film into slightly B-movie waters in the genre.
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Now that’s exactly what it should look like. A good sci-fi, I mean. A really captivating story, superb atmosphere, decent specially effects (in fact, for the money, wonderful) and the peerless performance by Sam “Bell" Rockwell. And to add to things, the whole time your eardrums are being stroked by the highbrow soundtrack for which Clint Mansell is responsible. It gives the whole picture a soul. Oh, and I want to have a GERTY at home too!
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In the end it just doesn’t have what it takes for the legendary status enjoyed by milestones in intelligent sci-fi such as Space Odyssey or Blade Runner (the screenplay holds it together, but there are a couple of screaming lapses of logic), but a few times while I was watching it did occur to me that it isn’t that far off. Plus, Moon has huge potential to mature with time. And who knows, maybe there will come a time when I will have to change my comment at the beginning. P.S.: Lots of those lapses of logic may be solved by the theory about radiation sickness, but not all of them by far...
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A captivating and very gradual flight through loneliness and lost identity. A soft camera, sensitive directing, dreamy music and Sam Rockwell, whose performance of the schizophrenic "mind-fucking" (as he called it) looks like an air ballet. Moon may not be philosophically or deeply spectacular, but with all the imperfections and indie smudges from tar, this is a film that is easy to fall in love with.
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This series of moonwalks is clever, at times even surprisingly sophisticated, but it really lacks emotion in the last twenty minutes. Though the plot takes an unexpected turn, the thought processes are rationed out and mechanized. What bothers me the truly excessive stretching of the main idea. As much as it is likable and original, a short film format would have suited Sam Bello much better. The pleasant feeling after watching mainly stems from the lunar environment itself. The hypnotic and immersive atmosphere is the only thing that truly sticks in my mind.
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