Moon

Now that’s exactly what it should look like. A good sci-fi, I mean. A really captivating story, superb atmosphere, decent specially effects (in fact, for the money, wonderful) and the peerless performance by Sam “Bell" Rockwell. And to add to things, the whole time your eardrums are being stroked by the highbrow soundtrack for which Clint Mansell is responsible. It gives the whole picture a soul. Oh, and I want to have a GERTY at home too! (26/10/2009)

Dystopian sci-fi paranoia that makes strange use of cheap moon sets, technical miniatures that take us 25 years back in time, and Sam Rockwell's one man show. It's bleak, dark and depressing, but with a very lively script without unnecessary crutches. I didn’t mind the open ending, but the unbalanced pace and small budget are far worse, which unfortunately sends the film into slightly B-movie waters in the genre. (28/03/2017)

This series of moonwalks is clever, at times even surprisingly sophisticated, but it really lacks emotion in the last twenty minutes. Though the plot takes an unexpected turn, the thought processes are rationed out and mechanized. What bothers me the truly excessive stretching of the main idea. As much as it is likable and original, a short film format would have suited Sam Bello much better. The pleasant feeling after watching mainly stems from the lunar environment itself. The hypnotic and immersive atmosphere is the only thing that truly sticks in my mind. (23/05/2010)

In the end it just doesn’t have what it takes for the legendary status enjoyed by milestones in intelligent sci-fi such as Space Odyssey or Blade Runner (the screenplay holds it together, but there are a couple of screaming lapses of logic), but a few times while I was watching it did occur to me that it isn’t that far off. Plus, Moon has huge potential to mature with time. And who knows, maybe there will come a time when I will have to change my comment at the beginning. P.S.: Lots of those lapses of logic may be solved by the theory about radiation sickness, but not all of them by far... (28/10/2009)

A well-mixed blend of slow editing, brilliant camerawork and beautiful sets that, while not groundbreaking in the final analysis, is definitely a force to be reckoned with. Duncan Jones lets the film flow slowly, but this does not prevent him from surprising the viewer several times with the unexpected complexity of the plot, which gradually comes to light. That said, the director made a bit of a mess of it, because even though the script tries to explain everything quickly and succeeds quite well, there are still a few question marks at the end. No one can beat Kubrick's Odyssey, after all, but Moon at least reminded me pleasantly of it. And also, Sam Rockwell is a fine actor and Duncan Jones is a director who’s yet to say his last word... (20/06/2012)