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Fantasy action film based on the Greek mythological warrior hero Theseus, who joins forces with the Gods to fight the Titans and save humankind. The power-hungry King Hyperion (Mickey Rourke) has laid waste to Greece in his search for the legendary Epirus Bow, a weapon of limitless power that, in the wrong hands, could bring about the end of human life. Ancient law dictates that the Gods must not intervene in human conflict, and so they remain powerless to stop Hyperion and his merciless hordes - until young peasant Theseus (Henry Cavill), secretly chosen by Zeus (Luke Evans/John Hurt), steps forward to save the day. (Universal Sony Pictures Home Entertainment)

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POMO 

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English Immortals doesn’t have a story that would take it anywhere or characters that would give it life. And for every clothed female body, there are thirty half-naked men. However, the film is satisfyingly bloody, the concept of the Gods and their home above the clouds doesn’t look like something out of a cheap porn flick (see the new Clash of the Titans), and the lavish sets border on design genius. I wasn’t bored, nor was I in ecstasy. I didn’t feel sorry for anyone, nor did I keep my fingers crossed for anyone, but I still enthusiastically watched it to the end. Spectacular dilettantish emptiness. ()

Malarkey 

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English Tarsem Singh is a great storyteller of his fantastic world. After a long time, I have the honor to watch a director who puts a lot of himself into his films, and every time, at least their visual side can easily captivate me. However, I was disappointed that in War of the Gods, which had brilliant scenery, the story itself did not interest me. It was incredibly confusing and it was impossible to connect with the actors in any way, to get used to them and to be able to go with them towards the end of the movie. It was a pity because the visual side was absolutely perfect. I haven't seen anything like that in a long time. ()

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Marigold 

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English Fortunately, it is different than 300, and much more mature and refined in terms of mythological storytelling. What's bad about it are the exact moments when it leaves Tarsem Singh's quirky theatricality and tries to sell it as a simple mainstream product for fans of Snyder's bicep circus. In any case, this amphitheater (what some refer to as poorness and lack of epicity, I refer to as grip and intentional "scenicity") provides a fairly solid portion of aesthetic pleasure from a unique view of ancient mythology (although it uses it as a purposeful texture, it is able, unlike most similar films, to create the appearance of a coherent universality - paradoxically, if you take 300, Clash of the Titans and Troy, Immortals corresponds to the ancient prefiguration least). I enjoyed it, sometimes very much. ()

Lima 

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English A supremely aesthetic affair in which Tarsem Singh has imprinted his unmistakable, bizarre visual sensibility. The theatrical stylisation, the lack of epicness and the sparseness of the film's sets (while at the same time visually intoxicating) are the author's intention, not due to the producers' boredom and a hole in their wallets. I want to have this in Blu-ray. ()

Kaka 

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English The likeness of the 300 is indisputable. I would even dare to say that Snyder is more visually experienced and sharper. Above all, you can see in Immortals a slight improvisation, especially in the large scenes, which are almost routine. But the whole thing is very imaginative and the fights are excellent. Some technical details are incredibly well-tuned, and I like the the visual style. It relies on the success of someone else, but on the other hand, why not? Mickey Rourke once again has no competition in terms of characters. ()

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