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Ten years after his wife and daughter are brutally murdered, a broken father and husband returns to extract justice from the assistant district attorney who prosecuted the case against their killers. His vengeance threatens not only the man who allowed mercy to supersede justice, but also the system and the city that made it so. (Roadshow Entertainment)

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Pethushka 

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English An above average and thoughtful film led by the talented Gerard Butler. I was glowing and gobbling it up the entire time. I was a bit more disappointed with the ending. It's happened a few times before that a brilliant film has been brought down by a pointlessly simple ending. This is a prime example. Otherwise, Butler is great again! He handles every genre with aplomb. 4.5 stars. ()

3DD!3 

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English Wimmer's screenplay isn't particularly great, but it’s central idea is really good. Moreover, the excellent Gerard Butler immediately got not only to me, but also to my sister, and we were on his side throughout the whole movie. Personally I understood why he was doing it. Hell, I'd do the same thing. Unfortunately, the closer we get to the conclusion, the more the creators make him a negative character so that they could slip into an established template. Not that this suddenly makes the whole movie bad, it just takes a certain aura away from Butler. Something is stolen from the film that could have made it an unforgettable spectacle. It's not what you know, Clyde. It's what you can prove in court. ()

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Marigold 

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English Imagine a drunk fan watching a football match and forgetting who he is cheering for. At least that’s how Gray's film seemed to me. It tries to look very serious, but as a result ends up with proven truths and clichés. A well-creased punk who drinks coca-cola while dreaming of absolute anarchy. But if I think away from the really poor imitation of playing with the motif of system corruption, then this is quite a suitable thriller. Neither Butler nor Fox give us anything more than we are used to seeing, Gray is gracefully satisfactory, and Law Abiding Citizen rides more on a wave of positive impressions. If only the film sometimes didn't pretend to be a smarty-pants and didn't act like a glued monkey... ()

DaViD´82 

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English I hereby notify all upstanding citizens that Foxx is about as endearing here as any regular politician and Butler didn’t even attempt to endow his character with the charisma needed to command due respect. And if that weren’t enough, while writing this weak broth made from the first part of Saw, they looked up the term “shocking twist" but mixed up the definition with that for “load of hogwash". ()

gudaulin 

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English Yes, once again I will go against the current...:-) Law Abiding Citizen may have routine direction, an unremarkable antagonist, and an unsympathetic hero, whose value system and careerism could make weaker characters feel disgusted, but all of that is still enough for a decent three stars. But then we have the screenplay, which is unrealistic, megalomaniacal, not addressing many crucial moments, but above all, silly in its overall construction. The difference between a quality thriller and Law Abiding Citizen is the same as the difference between Zinnemann's The Day of the Jackal and its 1997 American remake. Put some high-tech gadgets in there, a few shocking twists, and an appropriate dose of brutality, and the result will surely come. In practice, the viewer is faced with situations where a terrorist places a bomb that he can detonate with a mobile phone, and instead of actually detonating it and delighting in the destruction of his victims, he walks home, so that his opponent manages to deliver the bag with the explosive, which, for a change, he knows can be detonated at any time or randomly explode, to the terrorist's bedroom and maliciously enjoyed watching the terrorist carry out his own sentence... Overall impression: 25%. ()

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