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Ryan Gosling stars as a Los Angeles wheelman for hire, stunt driving for movie productions by day and steering getaway vehicles for armed heists by night. Though a loner by nature, Driver cant help falling in love with his beautiful neighbour Irene (Carey Mulligan), a vulnerable young mother dragged into a dangerous underworld by the return of her ex-convict husband Standard (Oscar Isaac). After a heist intended to pay off Standard's protection money spins unpredictably out of control, Driver finds himself driving defence for the girl he loves, tailgated by a syndicate of deadly serious criminals (Albert Brooks and Ron Perlman). But when he realizes that the gangsters are after more than the bag of cash in his trunk that they're coming straight for Irene and her son Driver is forced to shift gears and go on offense. (Pinnacle Films)

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Reviews (18)

Pethushka 

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English I don't know if it was my restless mood or just the movie being unnecessarily slow for me. Sometimes I even wondered if the picture was stuck. It has its charm and atmosphere though. It may be art in its own way, but it lacks excitement. Ryan Gosling has done better work, in my opinion. Of course, it's not his fault. Unfortunately, the script doesn't allow him to show his full glory. Unfortunately, I see it as just average... 3 stars. ()

novoten 

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English An action ride that slams you hard into your seat and doesn't let go for a while. Suspenseful to the bursting point, more action-packed than Michael Mann, and packed with ideas to the last second. We've seen plenty of gangsters and silent heroes on the screen for some time now. But never before have I simply had to run back to the cinema the next day to watch a movie again – even if only to observe the continuity of the slow scenes or to savor every tone of the soundtrack. ()

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Malarkey 

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English Drive reminded me of Collateral in its intimate, understated style. The story itself is deceptively simple, but for the entire 100 minutes, I was glued to the screen, barely moving, so I wouldn’t lose the film’s heavy, minimalist atmosphere. It wasn’t just the plot that did this—it was the way the whole film was crafted. The atmosphere, the visuals, and especially the music, were perfectly executed. The soundtrack, in particular, made some truly magical moments, like the opening credits, which, paired with the music, became one of the most striking I’ve seen in a long time. The movie had such a great flow, and Ryan Gosling really showed his range here. He gave a performance that solidified him as an actor I’ll always look forward to watching. ()

Kaka 

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English A stunning minimalist film, a unique experience for lovers of a blend of bearable art-modernism and uncompromising realistic rawness. I would devour everything about the main character, the music perfectly underscores it, and the action is uncompromising. Overall, a very meticulously styled film, whose creators have a knack for feeling and aesthetics and know exactly what and how to do it. ()

Isherwood 

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English It’s hypnotic (almost everyone talked about the soundtrack after leaving the movie theater), clings to details (cinematography, sound), and constantly goes against established audience expectations. When I got up from my seat, sweat was pouring off me and it wasn't just the heat in the movie theater. ()

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