Directed by:
Catherine HardwickeScreenplay:
Melissa RosenbergCinematography:
Elliot DavisComposer:
Carter BurwellCast:
Kristen Stewart, Robert Pattinson, Billy Burke, Peter Facinelli, Elizabeth Reaser, Cam Gigandet, Ashley Greene, Christian Serratos, Anna Kendrick, Nikki Reed (more)Plots(1)
When Bella Swan (Kristen Stewart) moves to the small town of Forks to live with her father, she meets the mysterious and beautiful Edward Cullen (Robert Pattinson). The two grow close and become soulmates - but there's just one small problem: Edward is a 90-year-old vampire with irrepressible bloodthirsty urges. Can the couple's deep and passionate love overcome the frenzied vampires and werewolves that stand in their way - not to mention the disapproval of Bella's family and friends? (Sony Pictures Releasing)
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Reviews (13)
A contagiously seductive and fragrant combination of classic horror elements, an innocent concept of platonic love, hackneyed plot clichés, Matrix visuals, beautiful natural locations, a Volvo C30 and metrosexuality. How can you resist something like that, especially when it tries to look deadly serious in all its childish naivety? The film is an embodiment of everything that the teenagers of today consider “in” and that sells well. If it hadn’t taken the central couple so long to get together, I might have even condescended to give this a higher rating. A guilty pleasure.
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3 stars and I’m being kind. And that’s after some pressuring from my sister. Music video atmosphere, shining vampires playing basketball and driving a Volvo. Vampires on a diet. For God’s sake. The naive story that combines all kinds of clichés was actually the best thing about the whole of Twilight. Well, Kristen Stewart included. Goofy Patinsson (formerly aka Cedrick Diggory) managed to spoil every scene he appeared in. That guy simply can’t act. I am a bit surprised that I didn’t notice that back then in Harry Potter. Too bad. It’s survivable and I was bored only occasionally. Is it just me or are you also really looking forward to part two?
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This is my new peak viewing experience at the cinema (and I’ve had more than a few of those). I definitely got a diametrically different impression of Twilight when watching it alone at home. The ideal first time to see it was 14 years after its premiere, when a Twilight marathon was held at the Aero cinema in the company of 210 female viewers (and about 20 guys), and it was incredibly amazing. That distance in time was the essential aspect, as the audience comprised people for whom these films were formative for various reasons, so those people still like them, but they now watch them with a sense of amused detachment. Mainly, however, they came to the cinema to enjoy them together, with all the good, the dubious, the bad and the absurd that the whole franchise involves – so, this is not a guilty pleasure, but an ironic cult flick in its most concentrated form. The first fraction of a second, when the Summit Entertainment logo began to appear on the screen, elicited the first explosion of applause and squeals, which was repeated with the entrance of each key character. Contrary to my unknowledgeable assumptions, the biggest ovation was received not by Edward (though it was huge), but for the two fathers, which brought the powerful daddy (or even DILF) storyline of the whole movie into focus. There was also the mass shouted recitation of iconic lines, the choral crooning of songs, the scene in the woods with the echo of recited dialogue throughout the screening room, and the cheering during the vampire baseball game that would make the World Series envious. At the same time, however, every absurd scene, every overwrought expression of the actors and every seemingly peripheral element was accompanied by volleys of laughter and loud reactions and ironic comments. It may sound sacrilegious, but that’s how I somehow imagine the initial spontaneous atmosphere at early screenings of The Rocky Horror Picture Show before the interactions with that ancestral cult movie were codified. There was nothing organised here. Rather, it was just the pure immediate enthusiasm of a shared experience and the enjoyment of the togetherness of an audience on the same wavelength. Today, Twilight thus transcends the pigeonholes of pop, camp, mainstream and fringe, and despite the dismay of all kinds of purists, elitists and macho fanboys, it remains an essential cinematic phenomenon. PS: #TeamAlice
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The reflection of today's scented times. In 1999, we received the action-packed The Matrix, which set the course for the next few years, and now we have Twilight as part of a modern romantic experience. It's not sophisticated or epic, it just cleverly maneuvers in the field of what young audiences want: attractive visuals, music, the looks of the protagonists, a simple plot without unnecessary fuss, sincerity, and the relative awareness of the main characters, all set in an alluring and still not completely exhausted vampire mythology. A phenomenon that may lose its shine in a few years, but today it sets the direction in many aspects. We can only blame ourselves for it.
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I'm too old for this. I'm slowly becoming allergic to it because I read the book and saw that Pattinson works very well in various period dramas, Cam Gigandet impressed in Burlesque, and overall I don't feel like it's a franchise full of desperate people anymore - in short, it's just a franchise for little girls. ;)
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