Directed by:
Kathryn BigelowScreenplay:
Mark BoalCinematography:
Barry AckroydCast:
Jeremy Renner, Anthony Mackie, Brian Geraghty, Guy Pearce, Ralph Fiennes, David Morse, Evangeline Lilly, Christian Camargo, Sam Spruell, Kate Mines (more)Plots(1)
Iraq. Forced to play a dangerous game of cat-and-mouse in the chaos of war an elite army bomb squad unit must come together in a city where everyone is a potential enemy and every object could be a deadly bomb. (official distributor synopsis)
Videos (5)
Reviews (15)
I can't say that this award-winning Oscar drama knocked me off my feet, and it won't make it into my top war movies either, as it lacks a cohesive plotline, and the characters, except for the main protagonist, are merely sketched out. It's a depiction of several fragmented scenes from the operations of a unit focused on neutralizing explosives. The authenticity in capturing the overall atmosphere in Baghdad and war-torn Iraq can definitely be appreciated. In comparison to Kathryn Bigelow's film, Hollywood's so-called war movies, like for example Three Kings, seem rather awkward. However, the authenticity of individual scenes and the protagonist's experiences are not all that magnificent. In reality, playing it safe and adhering to caution is much more common, and a soloist indulging in adrenaline would not be understood by their unit colleagues, and especially not by their superiors. I estimate that they would've earned themselves an end to their mission at least three times due to their escapades. American units are specialized and usually call in the appropriate special forces to handle extraordinary situations, so pyrotechnics specialists interfering with the work of snipers or clearing adjacent sectors of terrorists is pure fiction. Another aspect to appreciate in this drama is the absence of the usual patriotic pathos, clichés, and above all, political correctness. Kathryn Bigelow also avoids unnecessary naturalistic repulsiveness, as war in her interpretation is stress, fatigue, constant tension, dirt, and waiting for the end of the mission. Overall impression: 80%.
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I love Kathryn Bigelow's films, but The Hurt Locker disappointed me. The main character bothered me terribly (I just don't like these pompous supermen very much), but otherwise I had almost no reservations. The cinematography, the direction, the constant tension in the air, the final idea... Basically, the unknown actors (to me) act well, but it still wouldn't have hurt to have familiar names (!!!Ralph Fiennes!!!) warm up on screen for more than five minutes. Best scenes: A “long-distance" shootout in the desert, a bomb in a child, a shower, the end. Three and a bit.
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Finally, a proper movie about a bomb squad. Excellently filmed. The opening scene with the robot is flawless. Kathryn Bigelow creates an incredibly exciting atmosphere, and every “disposal" has an ace up its sleeve. I liked Renner in S.W.A.T., and it's a good thing he's sticking to these badass roles. Ralph Fiennes and a small cameo by Evangeline Lilly is also delightful. If there were fewer scenes, I wouldn't hesitate to give it five stars.
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It's a mystery to me how this brilliant flick didn’t get a wider audience response. What Stone's Platoon meant for an "alternative look" at the Vietnam conflict, Kathryn Bigelow's film means for the current U.S. Army mission in Iraq, and for its guys, who are there trembling for their lives and counting each day until the end of their tour of duty. The film doesn't moralise, it doesn't lecture, it just offers blood, sweat, frustration, the dust of Iraqi roads, fear of death and general paranoia, where even an Iraqi with a camera can be a potential terrorist. Not since Mendes's Jarhead has there been such a good military-themed film.
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Full Metal Jacket for the new millennium – militant, cynical and predatory. A ballbusting documentary drama about a war-addicted people, about overgrown boys for whom normal life is far too normal. Bigelow loaded a cart full of naturalism, the hot Iraqi atmosphere and brilliant acting. This type of dynamically filmed war drama has been lacking since the days when Scott filmed Black Hawk Down. Like him, Bigelow leaves aside the moral assessment of the conflict and instead goes deep into the characters' psyche and adds a solid portion of irony (something that was missing in Black Hawk Down). There is great portion of raw fight scenes and sweaty dialogues of the average soldier for two solid hours. The Hurt Locker is not trying to get to the heart of the Iraq war, but rather simply capture the strange soul of a warrior. And in this respect, Kathryn Bigelow did a better and more responsive job than her male colleagues. In addition to balls, the film also has empathy... For me, The Hurt Locker is one of the American film highlights of 2009. Perhaps even the best.
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