Valkyrie

Valkyrie will be enjoyed the most by those who like to dig into this particular historical period. Bryan Singer approaches his subject matter responsibly, without twisting history to better suit his movie. Valkyrie doesn’t pretend to be anything it isn’t; it has no ambition to be a piece of “high art” and it doesn’t comment on politics like Spielberg’s Munich. It just reconstructs events as a solid conspiratorial thriller with high production values, exciting and well-cast (despite being a small part, Kenneth Branagh’s General von Tresckow is the film’s most interesting and best played character). And its ending doesn’t lack emotion or depth, which reminds us that someone was courageous enough to at least try... P.S. John Ottman’s choral main theme is beautiful! (16/01/2009)

As a reconstruction of historical events, it's captivating. From a purely cinematic perspective, it's slightly austere, but still very skillfully executed craftsmanship – Singer pulled off a feat that was somewhat expected of him. The English language might be distracting, but you eventually get used to it. Many scenes are breathtaking, with Hitler's character being particularly interesting. It's worth noting that it's not the actor himself who portrays the demonic aspect, but rather the camera, the chosen music, and the brilliant editing. The rest of the actors are also excellently chosen, there are plenty of stars and a large number of quality performances. It's not exactly entertainment, but with every frame, it showcases intelligent, raw, realistic filmmaking. It's a professional affair and a hundred percent clean work. (09/05/2009)

A fairy tale that is simplified beyond bearable limits, about the struggle between good Germans and ultra-evil ones, where all the motivations of the coup d’etat are summed up in the phrase "Hitler is simply evil. Excuse me, but what's that supposed to be? At least they could have touched on the real reasons. I felt as if I were on the verge of adulthood, and my parents were explaining to me that babies were created by mom and dad kissing, and then a few months later a stork delivers the baby. But despite the general knowledge of the event, despite Cruise being just Cruise and not Stauffenberg, despite the Germans scheming in English, despite the transformation of ranks and terminology to what they are called in the West, despite the inaccuracies, despite the unintended ridiculousness of the eureka scene (including the light bulb turning on!), Singer made the almost impossible possible. After a weak opening half hour, my respiratory system stopped working for tension in many scenes. So I left the movie theater pretty damn happy, but I'd still rather someone did a better job, faithfully, and in detail. Ideally under HBO's supervision. (05/02/2009)

Bryan Singer goes back to being a genius. I don't even know why I was afraid of a lack of humanity or a cold approach. The tension comes from no more than a glance at the army or a fleeting shot of the back of Hitler's head. It is precisely the authenticity and documentary veracity that give the final catharsis the stamp of the purest emotions. (26/02/2009)

A historical thriller executed with precision, which, even despite the handicap of having a known ending, manages to generate tension better than most of today’s competition. Cruise is not quite up to the task, which results in several uneven scenes (the ones with his wife), but the perfect performances of the rest of the cast more than make up for it. It’s not a perfect film by any means, but I still liked Valkyrie more than three fifths of this year’s Oscar contenders. (16/02/2009)