The Orphanage

It’s just a matter of time until Juan Antonio Bayona will no longer need the name of Guillermo del Toro to sell his movies. This sort of talent mustn’t be allowed to go under. In places form takes priority over content, but that doesn’t mean at tall that it is forgotten or even neglected. The atmosphere is perfect. Not actually scaring, but sort of pleasantly chilling (which doesn’t mean that I didn’t get a shock here and there). The perfect music of Fernando Velázques and the wonderful sound effects are largely responsible for that. It seems that Spain actually specializes in this type of horror. The part with the modern medium is downright genius - despite being superfluous for this movie. What is really pleasing is the ending. Not so much the twist, but how beautiful it is. If Bayona had concentrated more on the pace in some parts (i.e. if he had shortened it by ten minutes, I might have considered giving an extra star. And it is Belén Rueda in the main role who deserves the highest accolade. (21/03/2008)

I rewatched this film years later and I'm disappointed at how little there is in it. Guillermo Del Toro, the ratings in the red numbers and the fact that the film is more or less a cult-classic in the genre beckoned for an exclusive horror experience, but unfortunately I didn't get that at all. Cinematically, The Orphanage is modest and makes do with a couple of actors, one house and a fine tale of the orphanage's dark past, but as a whole it's kind of bland and without much emotion. A weak average, for which I had expectations for a full score, and I was all the more disappointed by the result. (07/09/2022)

I’m not a fan of horror films, I watch most of them through my fingers, with the volume very low and all the lights on. I’m such a wuss :) This film doesn’t have guts or similar disgusting stuff, nor does it have an excessive amount of scares, but the horror touch is created by a mysterious, dark atmosphere. And that ending... WOW! It blew my mind and I think it’s one of the best movie ending ever. One of the few horror films I would recommend. (05/12/2016)

Bravo! The Spaniards confirm once more their privileged position on the horror scene. The Orphanage doesn’t surprise with an original plot but with its ability to generate true fear and tension through a strong effect on the subconscious. The entire film relies on a very carefully built atmosphere that forces the viewer to feel fear, even if there is nothing to really be afraid of, there aren’t any heart-attack inducing jump-scares, no manifestations of terrifying ghosts; everything works with sounds, plays with light and dark, and the camera movements. (14/02/2008)

Along with Persepolis and In Bruges, this was my strongest film experience of this year, which provided me the great experience of an honest, stylish, and haunting spectacle, supported by a strong story, well-chosen exteriors, high-quality performances, good camera work, and a few clever directing ideas. It is exactly the kind of film that leads to the urge to lower the ratings of several dozen other titles after watching it because many other genre films seem desperately superficial compared to The Orphanage, and which do not evoke fear, but rather satisfy sadistic desires hidden to some extent in each of us (Saw). The Orphanage is a film about the fear of losing a loved one and the fear of failure and personal responsibility. What could be more terrifying for a mother than the loss of her child? The Orphanage is a film that works without necessarily needing a gigantic budget and a barrage of grand special effects. Overall impression: 95%. (20/09/2008)