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Tom Ludlow (Keanu Reeves) is a veteran LAPD cop who finds life difficult to navigate after the death of his wife. When evidence implicates him in the execution of a fellow officer, he is forced to go up against the cop culture he's been a part of his entire career, ultimately leading him to question the loyalties of everyone around him. (20th Century Fox AU)

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Reviews (10)

Remedy 

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English I actually don't have any major problem with this film. Attentively respected genre conventions, a more than solid Keanu Reeves, and occasionally some hint of that unpredictability. Yet the whole thing really works well, the craftsmanship is of high quality, and how I wasn’t overly irritated by how politically correct it is with regard to the American’s own police. It's just an above average genre film that has no ambition to become a cult, which is what makes it so noble. A chill-out film with a decent level of quality. :) ()

D.Moore 

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English Initially a hopefully gritty crime drama, which unfortunately slides towards the end into a boring story on a theme we've seen too many times before. And done better. The ending was strangely clamorous, but without emotion, although it probably should have been there, originally. The action scenes were good though, the best being the second shootout in the apartment. Hugh Laurie unfortunately got very little space. ()

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novoten 

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English Relentless action, positive tough guys, and negative friends with a facade, that's always been my thing and will continue to be. Whether Keanu Reeves reminisces about past trauma with a suffering expression, furrows his brow while pondering the increasing number of corpses, or simply puts on a face that says "touch me and you won't have a hand", pulls out a gun, and goes after everyone he doesn't like, I can't help but be amazed and humbled by the fact that this fast-paced and yet highly convoluted bloody corrupt affair can't be stopped. ()

Isherwood 

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English David Ayer understood that as a screenwriter he had already exhausted himself with Training Day, so it was providence that advised him to shake hands with the neo-noir classic James Ellroy. The result is not particularly stunning, the traditional plot about the improved cop/asshole doesn't provide anything new and the director also doesn't do anything special in terms of the formal aspects. Yet the atmosphere of L.A.'s suburbs is literally dripping and the vivacity with which Keanu Reeves runs through the film is incredible. The clenched, pissed-off expression of the stubborn bulldog fits him perfectly and the viewer makes uncompromising cuts into the arm with him, of which there are many. This is Ayer's best film, but I’m not buying the negros, corrupt cops, and dark tough guys for the fourth time. ()

Malarkey 

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English I had a surprisingly good time watching Street Kings. The cast delivered solid performances, and Keanu Reeves as the rogue cop with a gun really worked for me. That said, it got a little hard to buy into the idea that Keanu could single-handedly take down half the cast and still come out on top. It was tough to fully believe he was that much of a badass who could fight anyone for respect. But in the context of the film, he pulled it off well enough. The movie kept up a great pace, never dragging, and built up to a finale that definitely delivered the best moments. ()

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