Eastern Promises

With a bit of exaggeration, Naomi Watts's character seems to have fallen out of a naive Danielle Steele novel, creating a perfect contrast with the hard male world of the criminal underworld that has a somewhat uncompromising touch (detailed throat slashing, a knife stabbing an eyeball). It's in fact this contrast that is the greatest strength of the story, which is not very revelatory, but it must be said that Cronenberg's understated direction is very pleasant and effective, because despite the trivial plot, his film manages to draw you into the action so that the 100 minutes go by so quickly. Compared to the previous and weak A History of Violence, it is really very engaging with some truly unforgettable scenes (the opening fight in the sauna with Mortensen in a birthday suit). I could watch the phenomenal trio of Mueller-Stahl, Cassel, Mortensen for days. (08/01/2008)

Pretty restrained for Cronenberg, but you can still see his style. Like most films of his I’ve watched, this one felt very cold, but it still managed to capture my attention thanks to the intense rawness. Cronenberg is not for everyone, but I like playing his emotionally detached games sometimes. 80% (18/08/2008)

Cronenberg shines again! The guy's a genius. It's a gritty tale of crime and redemption with an unusual (hidden) tenderness. Cronenberg uses every possible allusion to develop the story. He draws us into the story, immerses us emotionally to the characters, who are not portrayed as either bad or good. And this is Cronenberg's masterful talent, to show us each character as he wishes, without any preconceived notion, and absentmindedly bringing the audience to play emotionally with them. The sauna scene is clearly the film's highlight. 75%. (05/01/2014)

Just when I thought I had David Cronenberg figured out and not particularly to my taste, something like this comes along. While in A History of Violence he only touched on the gangsters and wrapped the whole story in somewhat unbelievable personal drama, Eastern Promises is a whole different story. Their simple yet sufficiently detailed story reveals both the complicated personal life of Anna and the hierarchy of a community where they speak with a very distinctive accent and secretly give dirty orders. Thanks to Viggo Mortensen's perfect performance, the viewer doesn't escape from that evil and chilling world for even a minute. (07/02/2008)

Cronenberg left the fantasy world of human obsessions for good and began to explore ordinary people in liminal situations. The synopsis of Russian gangsters in London smacked of fake nasal accents and litres of vodka, and yet the result is more about the confrontation of different worlds. When we enter it, we can't get out, whether it’s the mafia driver with a secret, the nurse with an internal stigma, or the Ukrainian emigrant playing the involuntary role of a prostitute. It's gripping in moments and emotionally fulfilling on the whole, though the epilogue could be explored for long moments. And as paradoxical as it sounds, Eastern Promises is a very different alternative to Love Actually as a London Christmas film. 4 ½. (20/12/2007)