Directed by:
Edgar WrightCinematography:
Jess HallComposer:
David ArnoldCast:
Simon Pegg, Nick Frost, Bill Nighy, Paddy Considine, Joe Cornish, Timothy Dalton, Chris Waitt, Jim Broadbent, Martin Freeman, Stuart Wilson, Lucy Punch (more)VOD (1)
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Get ready for a gut-busting, outrageous comedy from the guys that created Shaun of the Dead. Nicholas Angel (Simon Pegg) is a big-city cop who can't be stopped - but he's making everyone else on the force look bad. When he is reassigned to a small, quiet town, he struggles with this new, seemingly idyllic world and his bumbling partner (Nick Frost). But their dull existence is interrupted by several grisly and suspicious accidents, and the crime-fighting duo turn up the heat and hand out high-octane, car-chasing, gun-fighting, big-city justice. (Universal Sony Pictures Home Entertainment)
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Reviews (10)
To be clear, I love horseshit, intentionally and unintentionally funny B-movies and parodies full of references, but there was nothing here. As with the previous Shaun of the Dead, I'm experiencing a slight déjà-vu. Wright's hammy humour bores me immensely, his editing epileptic jerks irritate me and quotes alone do not make a good film. The whole film leaves a sour taste on the tongue with a question directed at Edgar Wright: “What the fuck is this guy doing?”
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I didn't want to believe that Hot Fuzz was made by the same people who made the lackluster Shaun of the Dead, because I haven't seen such a sophisticated wannabe action movie in a long time... Hot Fuzz stuns with its originality, well-written characters, and amazing variability in terms of genre. If you're wondering whether you're watching a comedy mocking all action movies that take themselves too seriously or a breathtaking action film with some occasional punchlines or parody, know that Hot Fuzz has a little of each. Breathtaking directorial inventiveness, a host of great British actors, and a totally ultimate Bad Boys-style last half hour (a spoof or HOMAGE to Bay, perhaps?) make Hot Fuzz one of the most original and personalized efforts in recent memory. A clear 5 stars.
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Genius films are those that can balance exactly on the edge, so if any ingredient were added just a little bit, it could turn into a failure from a great success. During the first half of the film, I had a great time and it could have been the comedy of the year for me. The precisely calibrated exaggeration on the topic of an overly enthusiastic police officer within an established bureaucratic machinery was not only functional but divine. Similarly, the confrontation between the big city and the sleepy small-town environment where everyone knows each other very well. Unfortunately, in the second half, the creators felt the need to add. Practically everything. As we know, too much of anything is harmful, and thus it turned into a rather average absurd farce. The moment the army of murdering psychopaths appeared and the dialogues took on the dimension of British nonsense, the charm of the film was lost for me. I would give the first half a rating of 100%, the second half 50%, and overall 75%.
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Edgar Wright mightily kicks Michael Bay’s ass, burying all conventions and correctness under tons of unique ideas, and leaving the diabolical Simon Pegg to mow down his enemies in an even more uncompromising manner than Bruce Willis in his prime. The film is a unique demonstration that properly referenced, honored, or parodied genre fiction can royally entertain. Unfortunately, this creates an unpleasant issue on the way to the viewer's heart, which may be ordinary ignorance of film action. It’s a simple equation: the more classic films you've seen, the more fun you'll have.
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A great action comedy where everything is a bit exaggerated, but at the same time, it's brilliantly constructed as both a parody and a standalone film. Simon Pegg and Nick Frost simply click, and Edgar Wright works perfectly alongside them. The collaboration between these three personalities in contemporary British cinema is the best they have accomplished so far.
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