Directed by:
Edgar WrightCinematography:
Jess HallComposer:
David ArnoldCast:
Simon Pegg, Nick Frost, Bill Nighy, Paddy Considine, Joe Cornish, Timothy Dalton, Chris Waitt, Jim Broadbent, Martin Freeman, Stuart Wilson, Lucy Punch (more)VOD (1)
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Get ready for a gut-busting, outrageous comedy from the guys that created Shaun of the Dead. Nicholas Angel (Simon Pegg) is a big-city cop who can't be stopped - but he's making everyone else on the force look bad. When he is reassigned to a small, quiet town, he struggles with this new, seemingly idyllic world and his bumbling partner (Nick Frost). But their dull existence is interrupted by several grisly and suspicious accidents, and the crime-fighting duo turn up the heat and hand out high-octane, car-chasing, gun-fighting, big-city justice. (Universal Sony Pictures Home Entertainment)
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Reviews (10)
To be clear, I love horseshit, intentionally and unintentionally funny B-movies and parodies full of references, but there was nothing here. As with the previous Shaun of the Dead, I'm experiencing a slight déjà-vu. Wright's hammy humour bores me immensely, his editing epileptic jerks irritate me and quotes alone do not make a good film. The whole film leaves a sour taste on the tongue with a question directed at Edgar Wright: “What the fuck is this guy doing?”
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Hot Fuzz is to action movies what Shaun of the Dead should have been to zombie horror, i.e. a half parody of the genre on the one hand, and a proud representative thereof on the other. Unlike Shaun of the Dead, Edgar Wright manages to make things work out and the result is a very good and remarkable film with humour, a (horror) twist and sharp action. Basically, without complaints.
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Genius films are those that can balance exactly on the edge, so if any ingredient were added just a little bit, it could turn into a failure from a great success. During the first half of the film, I had a great time and it could have been the comedy of the year for me. The precisely calibrated exaggeration on the topic of an overly enthusiastic police officer within an established bureaucratic machinery was not only functional but divine. Similarly, the confrontation between the big city and the sleepy small-town environment where everyone knows each other very well. Unfortunately, in the second half, the creators felt the need to add. Practically everything. As we know, too much of anything is harmful, and thus it turned into a rather average absurd farce. The moment the army of murdering psychopaths appeared and the dialogues took on the dimension of British nonsense, the charm of the film was lost for me. I would give the first half a rating of 100%, the second half 50%, and overall 75%.
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I didn't want to believe that Hot Fuzz was made by the same people who made the lackluster Shaun of the Dead, because I haven't seen such a sophisticated wannabe action movie in a long time... Hot Fuzz stuns with its originality, well-written characters, and amazing variability in terms of genre. If you're wondering whether you're watching a comedy mocking all action movies that take themselves too seriously or a breathtaking action film with some occasional punchlines or parody, know that Hot Fuzz has a little of each. Breathtaking directorial inventiveness, a host of great British actors, and a totally ultimate Bad Boys-style last half hour (a spoof or HOMAGE to Bay, perhaps?) make Hot Fuzz one of the most original and personalized efforts in recent memory. A clear 5 stars.
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The narrowness in adopting clichés from the other side of the ocean is often so perfect that Hot Fuzz slips to a certain self-purpose and so it balances on the edge of good taste (beyond which the similarly tuned synthetic B-movie Tarantino often falls). The film entertains when it is being British on the inside and American on the outside, but then it loses a bit in the finale, which is irresistible at first, but after a while it gets a little excessive. It's hard to justify why, despite the long runtime, great ideas and surprisingly quite engaging storyline, Hot Fuzz didn't make that much of an impression on me. Perhaps its action mimicries are so perfect that they inevitably evoke the shallow impression of a normal action movie. If there is something that I really enjoyed in addition to the atmosphere, then it is the excellent acting by Simon Pegg and Nick Frost, the perfect return of ex-Bond Timothy Dalton to shootouts, the stylish and youthfully fresh directing by Wright, and the great music of (currently working on Bond) composer David Arnold. When the best action film of 2007 is chosen, Hot Fuzz should not be forgotten... even with all the mockery, it is more fun and full of energy than most overseas productions. However, the film still lacks a higher degree of perspective in order to achieve perfection - not of the parodied genre, but of itself.
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