300

Both an excellent start and conclusion and... And in the meantime, there is only filler, which is not boring only thanks to the charismatic Butler and the artistic component, which eventually becomes too much. It isn’t completely fair to reproach 300 for its unmistakable macho and even fascist façade, but to criticize its boring action scenes is. The middle part is mostly the clash between the brave Spartans and Persian masses, but the action itself somehow lacks juice. Which is a big problem with this type of movie. Paradoxically, the biggest plus doesn’t come until the stylized final credits. (31/03/2007)

The film has a nice visual aspect, but the rest is sterile or conceptually problematic. I once invested an incredible 50 bucks in Miller's comic book, influenced by the claim that it is one of the most significant works of comic creation. There is no doubt that it was the worst investment I have ever made in the world of books. Ideologically, it felt like a guide for a young fascist through the world of life values, not to mention the lack of historical credibility, only the visual concept stood out... Overall impression: 40%. (25/09/2010)

For me, a completely indigestible mix of pathos, stupid dialogues and a pseudo-art image, which, apart from rich colors and slow-motion, offers nothing more interesting than bricks of soaked Spartans and a nice composition here and there. Snyder is an absolute maniac, who, more than the narrative itself, is driven by various effects, accessories and frills, because of which, from my point of view, the film has no tempo, explosiveness or even meaning. Impactful comic book bullshit about freedom and building speeches, in the style of the last battle ignited me, endlessly irritate, and the action scenes bore me with their sterility and the absence of a decent choreographic idea. Any way I look at it, it’s a truly idiotic work, probably only good for making fighting slogans for hockey teams. (20/12/2008)

Frank Miller has always worked better on paper (and even that hasn't been great as of a certain point). 300 may not be a total loss, but the ravages of time have gnawed away at it after only a decade. On the other hand, we can thank this phenomenon for the creation of the competing Spartacus series, which is simply much better in many ways. The comic book of the same name is legendary, but unfortunately, a sequel was released 20 years later. (02/12/2011)

Thanks to the fact that I didn't let myself get overly hyped, despite the excellent trailers, I was able to watch 300 as an unbiased viewer, expecting a quality spectacle with good action – and to my great surprise, I got much more. An amazing film with one of the best visual aspects in recent years. The moment Gerard Butler appeared as the fierce Leonidas, even I, an old cynic, fell in love with Sparta and rooted for them as much as I could, even though I knew how it would probably end, thanks to history and logic. Of course, I have to agree with all the criticisms regarding the overall fascist tone of the story about a "strong, unyielding nation," but for me, the tale of unbreakable warrior discipline remains a story of heroism and determination. As for the visuals, 300 proved that slow-motion shots of blood and warriors can be captivating, even if we've seen a similar scene in a film countless times before. Both battles with the Immortals, the iconic fall into the gorge, and the final spear throw and arrow rain are unforgettable and, as cinematography showed, themselves undefeatable. (06/04/2007)