Directed by:
Mel GibsonCinematography:
Dean SemlerComposer:
James HornerCast:
Rudy Youngblood, Dalia Hernández, María Isabel Díaz Lago, Raoul Max Trujillo, Rodolfo Palacios, Fernando Hernandez, Gerardo Taracena, Iazua Larios (more)VOD (1)
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From Academy Award winning filmmaker Mel Gibson, comes Apocalypto: a heart stopping mythic action-adventure set against the turbulent end times of the once great Mayan civilization. When his idyllic existence is brutally disrupted by a violent invading force, a man is taken on a perilous journey to a world ruled by fear and oppression where a harrowing end awaits him. Through a twist of fate and spurred by the power of his love for his woman and his family he will make a desperate break to return home and to ultimately save his way of life. Visceral, thrilling and boldly thought-provoking, Apocalypto brings to life, through Gibson's ambitious creative vision, a world from the ancient past hereto never before seen on the modern screen that speaks powerfully to our lives today. (Icon Film Distribution)
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Reviews (13)
Gibson has balls. To have the nerve to make a movie that ends up basically as one big chase through the ancient history of the Maya civilization, you have to have them. Although a bit more editing might have been an improvement, I am basically pleased with Apocalypto. And not forgetting Horner’s excellent music, too.
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When I was 11, I read an incredibly comprehensive 8-part series about Tarzan and I completely fell in love with that world full of adventure, battles, and mysterious creatures. Back then, I dreamt that someone would make a movie that could visualize all that magic, adventure, action, and suspense. I think Mel Gibson could handle such a task admirably and that it would even be amazing. The problem is that Apocalypto presented itself as a real story set in the pre-Columbian era of indigenous cultures and at least the advertisement claimed that the viewer would learn a lot about these cultures. That is not the case at all. Apocalypto is a film that uses this setting as mere background for a very simple action-packed and quite bloody story about the raid and annihilation of a village. Native Americans did not fight or live like this. However, it is colorful, reasonably exotic, and dynamic. Gibson seems to be an average actor, excellent producer, and marketing wizard, but a problematic director. I would accept the film at least in its simple action-packed form, if it was also able to lighten up a little, but it takes itself too seriously and I cannot forgive that. Overall impression: 65%.
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Apocalypto can be seen as either an über-brutal adventure ride or an ideological banquet. The latter is heavily favored by Gibson's pro-Christian bigotry (ingeniously hidden here), the consistent depiction of the decline of the Mayan empire, which refers to the cause mainly in terms of social differences, and the finale with the arrival of the ships that so unwittingly save the protagonist, and it's hard not to notice the Christian symbolism in this scene. So it's not hard to see that Mel Gibson is currently a radical left-wing Catholic and for a long time that's the only thing to take away from the film. Fortunately, I'm reviewing this from a first-person perspective and thus, except for the unwatchable digital camera for me, I was supremely satisfied. Still, if Apocalypto is telling us between the lines that the Conquistador massacres were the best thing that could have happened to South and Central America, then still, points for courage -)
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Gibson obviously doesn't like his characters very much for reasons unknown. Jaguar Paw goes through hell, sees his friends die and, badly wounded, fights for his bare life on land, under waterfalls or in deadly swamps, only for the sake of a simple mainstream story and to satisfy a popcorn audience hungry for blood, action and convenient clichés. It must be admitted that we all have at least a bit of such a viewer in us and that Apocalypto is a unique Hollywood adventure that is not boring, is loaded with adrenaline and brings a glimpse into a now mythical stage of human history that we have never seen before. Mel's laudable intentions, backed by an attempt at heavy naturalism and crowned with undeniable formal precision and efficiency, starting with the ancient language and believable actors and ending with the aggressive music, editing and attractive setting, are nice, but in the end they stand out terribly negatively and the targeted authenticity is undermined by the unnecessarily overblown "cinematic" brutality, the too conspicuously digital sequences (especially the monkey fight over the abyss was completely out of place), and finally the story itself, which is far too contrived to appeal the masses and relies on a kind of supernaturalism thanks to which the protagonist always escapes alive despite less than zero odds. It's great to watch and I'm very glad that something like this could be made, but next time it would need a more distinctive, less trite concept... 80%
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It’s a pity the content is so rudimentary, because Mel Gibson proves that he doesn't care about Hollywood's standards and does whatever he wants. The concept of Apocalypto is already interesting in itself since there hasn't been a film about an ancient civilization like this before – if at all – so you must await with anticipation to see what will unfold. It's quite typical of Gibson, with lots of blood, a structured plot full of action and dynamics, plus a subtle hint of some kind of mythology that serves more for visual enjoyment. The enormous temples in the city are truly impressive. The presence of the digital camera was also somewhat debatable and unnecessary, but overall the level of entertainment is decent. It's a shame that it lacks the emotional depth that Braveheart, for exmaple, had.
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