VOD (1)
Seasons(4) / Episodes(96)
Plots(1)
Earl (Jason Lee) has taken one too many wrong turns on the highway of life. However, a twist of fate turns his life into a tailspin of life-renewing events. Earl won a small lottery, and, after an epiphany, he is determined to transform his good fortune into a life-changing event as he sets out to right all the wrongs from his past. (20th Century Fox AU)
(more)Reviews (4)
I have seen almost the whole first series and except for the idea of atonement and a few jokes, which I could count on one hand, I haven't noticed anything that would make me give it more than this one star. Unfortunately, Earl, you're too much of an idiot for me to like. And all your show is missing is a recorded laugh. Awkward.
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I only occasionally watch American sitcoms and, basically, it can be said that only two titles from recent years occasionally make me sit in front of the television screen. Besides Earl, I also like The Big Bang Theory. The sitcom shows the life of "white trash" people and makes fun of their spiritual horizon and lifestyle. It is somewhat exaggerated to say that it is a staged variation of the cult animated series The Simpsons. I don't have a crude sense of humor and I don't particularly like the crude heroes of American comedies, but this show is funny and surprisingly refined. Furthermore, it is original, and even though the basic scheme of redemption of old sins of a nobody and a thief doesn't change at all, it is still fresh with many ideas, and thus the show does not fall into a stereotype. Given that I don't watch every episode in a row, it doesn't have a chance to get repetitive for me. Overall impression: 90%.
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At last a sitcom that doesn’t try to keep everybody happy. Jason Lee in the main role is the epitome of the term “white trash" and, not only thanks to him, but also thanks to the style of humor, it reminds me of something by Kevin Smith. Humor that is not afraid of making fun of anything and anybody, while not stooping to toilet humor. Plus, the creators occasionally spice up the regular pattern with a “specialty"; this creates memorable episodes such as a parody of COPS in season two. Simply almost the ideal comedy series which, as of the beginning of season three, maintains the same excellent quality level.
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The endearing boorishness of the protagonist – or rather of the whole series – could have easily resulted in a festival of jokes about falls, farting and disabilities (in a way different from that of the main character). As it stands, however, it is actually a rather tasteful and, thanks to the fragmented structure (frequent flashbacks) very brisk series that in its brightest moments I wouldn’t shy away from describing as a satire on the American way of life and thinking. (The rating relates to the first season.) 80%
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