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The perfect bank robbery quickly spirals into an unstable and deadly game of cat-and-mouse between a criminal mastermind (Owen), a determined detective (Washington), and a power broker with a hidden agenda (Foster). As the minutes tick by and the situation becomes increasingly tense, one wrong move could mean disaster for any one of them. (official distributor synopsis)

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Reviews (11)

Kaka 

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English A perfect way to fool the viewer, after all, it's not about the robbery. Spike Lee excels in his typical side aspects: political incorrectness and lots of smaller or larger race references in all possible forms, so no one should be surprised that the robbery, so tempting and full of ideas at first glance, is ultimately incredibly simple. This thematic mix had to have some structure. The cast is excellent – especially Denzel Washington and Christopher Plummer. In essence, there’s nothing breathtaking, but the dialogues are so fierce and current that you will gladly watch it again. This is how a multi-thematic film without a proper theme is made. ()

lamps 

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English Denzel Washington's dashing detective, Clive Owen's charismatic thief and the most sophisticated bank heist ever portrayed on film. Inside Man is really hard to describe if you haven't come across the specific approach Spike Lee takes to all his films. But if you’re already familiar with his impressive precision, attention to detail, and his careful development of the main characters, you can imagine that two whole hours are not nearly enough for a story full of twists, turns, eavesdropping, political interests, and millions of dollars. The film simply has "balls", there is always something going on, there isn’t a single moment or shot that is superfluous or even meaningless in the sum total, and you can’t help but smile at the entire crew and cast for what a suspenseful and gripping thriller they have made, and in just one building. Even Sydney Lumet and his famous Dog Day Afternoon would applaud it. 95% ()

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DaViD´82 

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English Luckily Spike Lee hasn’t drowned in commercial waters and managed to film a very pleasant and intelligent picture that he worked some moments from his previous works into. The screenplay starts off with an excellent idea, which makes it all the more surprising that in the end it is the screenplay that is the weakest aspect of this movie, because it isn’t enough for over two hours of running time. Luckily this isn’t completely obvious when you are watching, thanks to Spike, the absolutely perfect casting and a very successful balancing on a knife’s edge between thriller and comedy. Overall, very good, but for me The Negotiator remains the “king" of this type of movie. ()

agentmiky 

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English I wouldn’t have thought that a film about a bank heist could include humorous elements, but Spike Lee proved me wrong. The main strength of the film is that something is always happening. The actual bank invasion occurs right at the beginning, and the pace truly doesn’t let up. The cast also contributed significantly, especially the charismatic and cunning thief Clive Owen and Denzel Washington as the detective, who is clever and has some great lines. I also can’t forget to mention Jodie Foster, who delivered an outstanding performance. Don’t expect over-the-top action here, but rather clever dialogues with a really well-crafted story. The music fit the film perfectly (though I should note that I wouldn’t listen to it on its own under normal circumstances). The ending really caught me off guard, as it was original and completely unpredictable. It’s clear that true professionals were involved in this film, which is reflected in its overall quality. I give it 80%. ()

gudaulin 

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English An elegant stylish crime film with an intelligent script, likable characters, several twists, and an unexpected ending. That's exactly the kind of movie I like - it keeps me in suspense throughout the duration and pleases me at the end. It has a very decent cast, where Clive Owen and Jodie Foster naturally dominate. Overall impression: 90%. Spike Lee doesn't need almost any action to create an atmosphere, as he relies on perspective and the cleverness of his heroes. ()

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