Creators:
Matt MariskaDirected by:
Sam RaimiCinematography:
Bill PopeComposer:
Christopher YoungCast:
Tobey Maguire, Kirsten Dunst, Thomas Haden Church, James Franco, Dylan Baker, Elizabeth Banks, Topher Grace, Bryce Dallas Howard, Theresa Russell, Bill Nunn (more)Plots(1)
Peter Parker (Tobey Maguire) finally has the girl of his dreams, Mary Jane Watson (Kirsten Dunst), and New York City is in the throes of Spider-mania! But when a strange alien symbiote turns Spider-Man’s suit black, his darkest demons come to light changing Spider-Man inside as well as out. Spider-Man is in for the fight of his life against a lethal mix of villains - the deadly Sandman (Thomas Haden Church), Venom (Topher Grace), and the New Goblin (James Franco) - as well as the enemy within himself. (official distributor synopsis)
(more)Videos (4)
Reviews (10)
After a seven-year gap, I re-watched the third Spider-Man movie, and I must admit it's even worse than I remembered. It's incredibly cliché, and the screenplay is sometimes even dumb. Important storylines here are resolved simply or with an easy twist that's not even believable. The potential of new characters, especially Venom, is completely wasted. It's not a total disaster, but at times, it's not even particularly enjoyable. That’s too bad. Hopefully, The Amazing Spider-Man will maintain a good standard with its future installments.
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My favorite part of the trilogy and apart from Kirsten Dunst, Bryce Dallas Howard is also a nice addition. I have no idea where the mistake was made, but keep the same satisfied audience for five years if they have enough of it. In retrospect, I appreciate many things, including the compactness of the series, the light humor, and the use of a generous number of characters. And I certainly don't feel that there is too much pathos. They’ve taken some of it away compared to the second one, which is much more extreme. And MJ at the theater? A total fairy tale.
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The garishness of the coarsest, er... grain. The longer the film goes on, the worse it gets, and the soap opera-like romantic plot is definitely one of the worst things poor Spider-Man has ever had to contend with. In the scenes where he's supposed to be evil and obsessive, Tobey Maguire shows that he's more good at overacting than acting, and Mary Jane's jealous exit is an ordeal. Yet Sandman would have been a decent villain if he had been given more space, as his birth scene is one of the best ever seen in a comic book movie. Seriously, no irony. Most of all, Spider-Man 3 looks like an attempt to make "something like Tim Burton's Batman Returns" that didn't work.
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By no means the dumbest film in the series (the previous ones were dumb too), just gaps between great action sequences so wide that no one can miss the idiocy... even an idiot. It's a giant laugh, this movie. The script is so retarded I'm surprised it was written and not drawn. Mary-Jane fires such salvos here ("How could you? This was OUR kiss!") that it can’t even be possible. The fact that the only thing the film perceives as purely negative is black alien matter speaks volumes, too. It's just that I'm not going to give a mediocre rating to a movie that, after a little work in the video editor, I could turn into a great five-star hour-long action flick starring J.K. Simmons and Bruce Campbell. And if Spider-Man hadn't run in front of the American flag in the third installment, I'd give one less star ;)
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The first two episodes boasted that unique Raimi’s signature that makes me appreciate them as modest little-big movies created out of pure love for the original comics. Compared to them, the third one is fake, pompous and seemingly hungry not for the support of the fans but for a big chunk of money... A blockbuster that is noisier, more megalomaniacal and more sprawling than its two predecessors, mocking itself in a figuratively and emotionally overblown finale that juxtaposes a heartfelt life confession and a tearful J.K. Simmons haggling with a little girl over how much she wants for her camera. Raimi’s direction is still better than good, the action sequences have the proper charge and the illegibility of the main character saves everything, but this is no longer the original Spiderman, it lacks personality and a surprising motif, just like all current comic book adaptations. 65%
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