Directed by:
Neil BurgerScreenplay:
Neil BurgerCinematography:
Dick PopeComposer:
Philip GlassCast:
Edward Norton, Paul Giamatti, Jessica Biel, Rufus Sewell, Eddie Marsan, Jake Wood, Tom Fisher, Karl Johnson, Aaron Taylor-Johnson, Eleanor Tomlinson (more)VOD (1)
Plots(1)
The acclaimed illusionist Eisenheim (Norton) has not only captured the imaginations of all of Vienna, but also the interest of the ambitious Crown Prince Leopold (Rufus Sewell). But when Leopold's new fiancée (Jessica Biel) rekindles a childhood fascination with Eisenheim, the Prince's interest evolves into obsession...and suddenly the city's Chief Inspector (Giamatti) finds himself investigating a shocking crime. But even as the Inspector engages him in a dramatic challenge of wills, Eisenheim prepares for his most impressive illusion yet. (official distributor synopsis)
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Reviews (11)
I wouldn't have expected such a bland performance from Norton (another Italian Job?), and maybe he didn't even know what ear-splitting lines the script would force him to let out of his mouth. The only thing that keeps this below-average fable afloat, with the look of a slightly more expensive TV production, is the great (and better from film to film) Giammatti, while the final Shyamalan-like twist stands on very shaky legs. And I might rename the whole film to "Hologram Man" – Eisenheim's stunts in the second half were closer to science fiction than to illusory shenanigans (nasty nitwit Lima).
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The Illusionist is very unlucky, since it directly clashed in time with another film about magic, Christopher Nolan's The Prestige, against which it doesn't stand a chance, even without closer examination. While the second film is characterized by its darkness and nerve-wracking complex twists, Neil Burger makes do with only a slightly mysterious atmosphere and simply drawn characters – good-evil-righteous-beautiful. Nevertheless, I liked this straightforward fairytale, even though it has serious flaws of logic in its explanations, but thanks to the suitable magical mood and clearly defined genre rules, it is more than pleasant in its simplicity.
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Surprisingly more entertaining than The Prestige for me. Edward Norton steals the whole film for himself, he is intelligent, charismatic, insightful and a very talented illusionist. The period in which the film takes place suited me very well, the romance is apt and not annoying and the overall flow of the plot is very brisk and not boring, so for me I'm satisfied, I don't even know why I put the film off for so long. Very good. 80%.
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A beautifully shot and exceptionally well-scored mysterious film, filmed in the South Bohemian region, which chose a fictional speculative story from the old Austro-Hungarian Empire as its subject. Thanks to the camera work, special effects, and the mentioned music, it's a very consumable film, and perhaps only the casting of Jessica Biel in the lead female role didn't quite sit well with me. It's a standard Hollywood affair with several enjoyable plot twists. Overall impression: 80%. A film about love and, above all, magic.
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As a historical blockbuster for the consumerist audience, The Illusionist features oversimplified characters and emotions created by tacky lighting that blurs the image beyond their faces, like in the worst soap operas. On the other hand, the story is nicely fast-paced and Bratislava and Prague on the background of Philip Glass’s music seem irresistible, almost fairytale-like. It’s a bit surprising that the most remarkable character (and performance) is not delivered by Edward Norton, but by Paul Giamatti. Had it not been for the lame attempt to impress us with the point, which any thinking viewer can guess at least ten minutes beforehand, and especially all the plot holes and half-baked execution, I might have given it a “guilty” four stars.
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