Clerks II

For me, this overhyped comedy and Kevin Smith don't really click. There are a few decent lines (the discussion of Lord of the Rings vs Star Wars was cool), but otherwise it just flows without much surprise or interest. There's no downright burst of laughter and the story didn't seem very interesting to me either. Maybe ten years ago, it could've earned four stars, but definitely not today. 6/10. (24/01/2021)

The best of Kevin Smith. Uncompromisingly funny, properly Jay crazy, perfectly believable, and in its honesty, touching. This is how free life stories end, this is how purely heterosexual buddies get close to each other, and this is how love is professed. It wasn't the complete end of one universe after all, which is good for some, tragedy for others. But that doesn't change anything about it being the best that the most popular geek film ever created. (11/01/2008)

I simply love this movie. Maybe even more than the first one, which was groundbreaking for Smith. There are great dialogues here, there are perverse situations, and there are excellent characters, especially Becky with Rosario Dawson's face, which is a great move. It's easy to fall in love with this girl. I can't take my eyes off of this movie every time I watch it. (18/03/2015)

In the case of Clerks 2, the return to roots is not just an empty concept, because this is not another Mallrats or Jay and Silent Bob Strike Back. Maybe that's why I had a problem with the lower cadence of the jokes at the beginning, but once I tuned into the pace of the film, which, like the first, features completely serious dialogue alongside the brilliant jokes, Kevin Smith had me right where he wanted. In short, the return to Jersey was a success. Jay and Bob are at it again, Randall is talking like hell, and Dante has put on some weight. It's funny, it's clever, it's touching and it's exactly what Smith fans have been waiting for. And if this bunch returns in a few years, I'll definitely be there again. (02/09/2006)

Smith has elegantly avoided all the ills of his first film, turned up the humor (the donkey party), leaned neatly into The Lord of the Rings phenomenon, let the protagonists spout the truest of life's wisdom in brilliant dialogue, and cast Rosario Dawson. In general, what makes his films brilliant has once again come together in the fanciest guise imaginable. Thanks, Kevin. We'll see what the rest of the life that began at the end of this film turns into. (06/01/2007)