Directed by:
Kevin SmithScreenplay:
Kevin SmithCinematography:
David KleinComposer:
James L. VenableCast:
Brian O'Halloran, Jeff Anderson, Rosario Dawson, Trevor Fehrman, Jason Mewes, Kevin Smith, Jennifer Schwalbach Smith, Jason Lee, Ben Affleck, Ethan Suplee (more)VOD (1)
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Ten years after the original, slacker heroes Dante (Brian O’Halloran) and Randal (Jeff Anderson) have become “funployees” at Mooby’s fast food. In addition to offending customers and debating anything and everything, their responsibilities now include ragging on their uber-nerd co-worker (Trevor Fehrman) and teasing their sexy manager (Rosario Dawson). But when Dante announces his plan to leave New Jersey, Randal plots a shocking and hysterical going-away party that will alter their lives forever. (Via Vision Entertainment)
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Much, much funnier than the first part. Some scenes are brilliant, while others fizzle out, but as whole Clerks II deserves a four star rating, a nice improvement from last time. The best comedy moment is hands down the Donkey Show, which is followed by what for my taste is an overly long and amicable ending. What’s certainly good is that Smith’s humour has matured since the first Clerks, and also got sharper, which made me laugh about things that otherwise I wouldn’t even smile at. 85%
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I have really liked Kevin Smith since his debut, and I eagerly awaited the continuation of the adventures of his slackers from Jersey. To be honest, I endured the first twenty, maybe even twenty-five minutes of the film, because the characters have aged and they reminded me of my own deterioration, and looking at Dante, I painfully realized the shortcomings of my nutrition. Above all, the attempts at jokes seemed to me to be lacking in humor, and there was an excess of vulgarities that seemed purposeless without the support of functioning comedy. Then came the scene with the "elf in the crotch" and the "spittoon in the mouth" as defenders of virginity - a clear allusion to the sexual education used by President Bush. All that was missing was mention of the stork delivering babies. The argument between The Lord of the Rings fans and a staunch Star Wars worshipper was also great, and the anchor points kept on increasing. This film simply lacks the inventiveness and quotability of the first installment, and overall represents a more calculated production that clearly relies on the sentiment of its fans. On the other hand, it is also more mature, and professional, and clearly had a higher budget, which allowed for the hiring of more expensive and well-known actors. However, what saves Smith the most is his uncompromising and, above all, politically incorrect humor, which allows him to make jokes about black monkeys or employ a donkey as a perverted Kelly. Very few people in American studio productions dare to play around with political correctness like this. Overall impression: 75%. Although I consider myself a fan of Smith, I get the impression that he is starting to repeat himself, and I would be quite afraid of a third installment of Clerks... It is time to look for innovation and, above all, to find entertainment from a different perspective.
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I just love this movie. Perhaps even more so than the first, which was a breakthrough for Smith. There are great dialogues here, there are perverse situations, and there are excellent characters, especially Becky with Rosario Dawson's face, which is a brilliant move. It's easy to fall in love with this girl. I can't take my eyes off this movie every time I watch it.
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Smith has elegantly avoided all the ills of his first film, turned up the humor (the donkey party), leaned neatly into The Lord of the Rings phenomenon, let the protagonists spout the truest of life's wisdom in brilliant dialogue, and cast Rosario Dawson. In general, what makes his films brilliant has once again come together in the fanciest guise imaginable. Thanks, Kevin. We'll see what the rest of the life that began at the end of this film turns into.
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The best of Kevin Smith. Uncompromisingly funny, properly Jay crazy, perfectly believable, and in its honesty, touching. This is how free life stories end, this is how purely heterosexual buddies get close to each other, and this is how love is professed. It wasn't the complete end of one universe after all, which is good for some, tragedy for others. But that doesn't change anything about it being the best that the most popular geek film ever created.
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