Directed by:
Alex ProyasCinematography:
Dariusz WolskiComposer:
Graeme RevellCast:
Brandon Lee, Ernie Hudson, Michael Wincott, David Patrick Kelly, Bai Ling, Rochelle Davis, Sofia Shinas, Michael Massee, Bill Raymond, Marco Rodríguez (more)VOD (2)
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In the film which cost him his life martial arts phenomenon Brandon Lee stars as a superhuman mystical hero who returns from the grave to exact revenge on the killers of his fiancee and himself. With mind-numbing special effects awesome action and a dark cyber-punk setting it is no wonder that The Crow has been described as a pulsating and hypnotic fantasy that will leave you gasping. (Reel Entertainment)
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Reviews (9)
I like films with a dark atmosphere. The Crow has plenty of it and it is as seductively dark and gloomy as the comic book itself. Brandon is brilliant (what a great loss) and Wincott is a villain as it should be. Together with X-Men the best comic-book adaptation so far.
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Visually more than perfect, with excellent action scenes, music also very good. Alex Proyas has turned The Crow into a visual/filmmaking gem that is really worth seeing. The exquisitely crafted final confrontation in the church only adds to the overall impression, which is clearly five stars. Even if it was just for the incredible visual banquet!
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Kind of a different comic book movie. First of all, I kept thinking about how Brandon Lee's performance took a tragic turn for the worse, and after each scene I felt more and more sorry that such a talented and likeable actor had to leave us so suddenly. And even though it sounds terrible, these depressing thoughts fit exactly into the story and added to the dense and specific atmosphere, which The Crow has to spare. There is probably nothing to say about the original premise, and there’s hardly anything to say about the execution other than it could hardly be better, given the level of special effects at the time. The grim production design has its charm, the villainous syndicate is worthy of respect and some of the action sequences, including the infamous shootout, are a matter for genre connoisseurs. With an eye on the remake, I can't help but add that there is a lot to draw from here and I'm quite curious to see how they will handle the high bar that has been set.
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Alex Proyas proved that a good comic book adaptation can be made without elaborate character psychology or bombastic digital effects. The straightforward plot about posthumous revenge, presented on a simple formal level, delights in its play of lights and shadows, night darkness, and persistent rain. It takes a backseat, which doesn't really matter, and the only way to win over the viewer's favor remains the atmosphere. In addition to the aforementioned, the expertly directed camera work by Dariusz Wolski and the minimal yet rhythmic and captivating musical accompaniment by Graeme Revell contributed significantly. As a whole, it feels rather depressing without even realizing the tragic circumstances of the filming
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Brandon Lee, with guitar in hand, kitsch to the maximum, and nostalgia even beyond that. Though the film as a whole never escapes the darkness, either visually or emotionally, the promise of a future from The Crow ultimately shined again. Love is, after all, the greatest thing in the world – and besides, it can't rain forever.
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