Directed by:
Francis Ford CoppolaScreenplay:
James V. HartCinematography:
Michael BallhausComposer:
Wojciech KilarCast:
Gary Oldman, Winona Ryder, Anthony Hopkins, Keanu Reeves, Richard E. Grant, Cary Elwes, Billy Campbell, Sadie Frost, Tom Waits, Monica Bellucci (more)VOD (1)
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Francis Ford Coppola directs this 1992 adaptation of Bram Stoker's classic vampire novel. Victorian London provides the stalking ground for the lovelorn Transylvanian Prince Vlad (Gary Oldman), feeding off human blood as he seeks out the beautiful Mina (Winona Ryder), a reincarnation of his lost love Elisabeta. Mina is also courted by gentleman estate agent Jonathan Harker (Keanu Reeves), whose friend Doctor Van Helsing (Anthony Hopkins) wants to put an end to vampires once and for all. (Universal Sony Pictures Home Entertainment)
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Francis Ford Coppola shows with his authentic and in every way perfect handling that Count Dracula was actually an unhappy man beyond the reach of love. Compared to the really boring Interview with the Vampire, Coppola's Dracula is a brilliantly directed (it was indeed the directing I found lacking in Interview with the Vampire) and well cast adaptation of Stoker's book. The setting, the art direction, the costumes, the wonderfully evoked atmosphere and above all Coppola's imaginative and breathing direction are the main pluses of Dracula.
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Dracula is an exemplary case of the victory of form over substance. It’s as if Francis Ford Coppola tried to translate Stoker’s fantasy into evocative cinematic images in the most credible and effective way, but he forgot about the characters and the story itself. In terms of its visual and musical aspects, the film is captivating. The production design, costumes, the cinematographer’s work with shadows and the individual surrealistic scenes are all in perfect harmony with Wojciech Kilar’s unique music. And that cast! Keanu Reeves as the elegant Jonathan, Winona Ryder as the fragile Mina, Anthony Hopkins as the demonic Van Helsing, Tom Waits as the “insectophile” Renfield, and mainly Gary Oldman as the repulsive but mesmerizing Count Dracula…it’s as if all of them were born for their respective roles. But regardless of how captivating it all looks and sounds, the plot lacks the heart of the story, the spirit that, despite my knowledge of the material, could draw me into the action for two hours and take my breath away. Dracula is a gothic horror movie based on a classic story during which I wouldn’t be disturbed by the munching of popcorn. That would not be the case at all with, for example, Herzog’s Nosferatu.
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In the early 1990s, Francis Ford Coppola had a very interesting take on Dracula with American and British actors in the lead. I must say that the movie managed to attract me quite quickly. The werewolf rape might have been ballsy, but overall, this movie contains absolutely all the movie elements that someone else might call trashy. Intentionally, of course. It’s all the more interesting, but at the same time, I’m all the more sorry that the movie isn’t pure fantasy, but rather just a parody of fantasy. It’s all too absurd. Actually, it’s not a movie that can be watched easily. At times, I even wondered if it was a movie that can be watched at all.
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A formally balanced mix of modern filmmaking and old stage-hand style. It’s a little weaker in terms of content, but as a fan of Vampire films, I acknowledge Coppola's inclination toward Count Dracula and the emphasis on the romantic line of the whole story. Rather than a monster, Dracula is a cursed rebel, fighting god's power and guided by the voice of love more than the voice of blood. For some, it may be heretical, but I like this romantic view of Stoker's story. Moreover, I really like Gary Oldman, both as an age-abounding old man and as a bewitching gentleman. Rather than horror, it's a gothic romance, rather than a portrait of a terrifying monster, it's the humanization of the Earl of Transylvania...
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I have to agree with those viewers who believe that form triumphs over content. Francis Ford Coppola has delivered an aesthetically perfect film; that’s undeniable. The composition, exteriors, and interesting camera work are all top-notch within the genre. But the story is where it falls short. At times, I got lost in the various subplots. The disjointedness of the main storyline really undermined the film for me. However, one aspect does save it: Gary Oldman. He completely immersed himself in his role! An excellent performance in every way (he often evoked genuine and unfeigned terror with his portrayal of the Wallachian prince). As for the rest of the cast? Anthony Hopkins as Van Helsing was a highlight, and his charisma radiated in all directions. And Keanu Reeves? He slightly disappointed me; his performance seemed wooden at times. To sum up... It’s definitely not a disaster... but I wouldn’t elevate Dracula to the heavens. 6.5/10
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