Cinematography:
Roger DeakinsComposer:
Carter BurwellCast:
Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi, David Huddleston, Philip Seymour Hoffman, Tara Reid, Mark Pellegrino, Peter Stormare, Flea (more)VOD (2)
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When "The Dude" Lebowski (Jeff Bridges) is mistaken for a millionaire Lebowski, two thugs urinate on his rug to coerce him into paying a debt he knows nothing about. While attempting to gain recompense for the ruined rug from his wealthy counterpart, he accepts a one-time job with high pay-off. He enlists the help of his bowling buddy, Walter, a gun-toting Jewish-convert with anger issues. Deception leads to more trouble, and it soon seems that everyone from porn empire tycoons to nihilists want something from The Dude. (Universal Sony Pictures Home Entertainment)
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Reviews (15)
A film with one of the most beautiful, saddest and most inconspicuous characters in history - Donny Steve Buscemi. Alongside the noisy Walter-Jeff duo, the poor, pinned-down Donny barely gets a word in (shut the fuck up, Donny!), yet he's a silent testament to the Coen brothers' genius as the creators of the characters. I personally vote to rename the film from "The Big Lebowski" to "Quiet Donny" because I am moved to tears by Steve Buscemi's humble face. A beautiful comedy, beautifully constructed and with humor you can't get wrong.
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The Dude as a movie character is an incredible slacker with a capital "S", if I knew him personally I don't know how I would get along with him. The Big Lebowski is a quick whirlwind of storylines that are kicked off by one f*cking rug - it already sounds crazy, let alone after watching the whole movie. Jeff Bridges and John Goodman were absolutely brilliant in their roles, and the icing on the cake was the supporting role of my favorite, Julianne Moore. All in all, a pretty sharp film in places about a guy who has a couple of truly exhausting days.
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It took me quite a while to realise what a creative and clever style of humour The Big Lebowski has. The script seems to be nothing but a showcase for all those amazing actors to display the bizarreness and exaggeration of their creations, but lacking substance. Yet the plot is packed to bursting with so many excellent gags, subtly hinted at or potential twists and a unique parody of many established narrative techniques, all while perfectly retaining its own distinctive face and, most importantly, never ceasing to surprise – rarely have I felt such a palpable joy in a film's sheer narrative, in the creation of witty retorts or one-liners, or in the direction of the actors themselves, whose performances really beg for their own lengthy commentary. Jeff "The Dude" Bridges clearly moves up to one of my favourite movie characters, John Goodman complements him brilliantly, and at times Philip Seymour Hoffman, who has this funniest role in his life, also speaks out vehemently. There is no need to talk about the amazingly inventive cinematography or the wicked soundtrack, they are par for the course with the Coens... 90%
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The story is crafted to perfection; it perfectly combines a wet carpet, a kidnapping, blackmail, and vaginal art; there are well-written and well-cast characters, with one supporting role actually becoming a cult figure – yes, it’s Jesus Quintana. The Coen brothers (who are still brothers, even though it's no longer trendy) almost made me want to throw on a bathrobe, mix a White Russian, put on my headphones, and listen to the sounds of a bowling tournament or whales singing.
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The acting is great, humor is fine, but overall, this is just a big question mark. Everyone is scruffy, lisping, and just bizarre, and I somehow can't enjoy the story and sometimes even the lines amidst all of it. From a film, with the reputation of a Joel and Ethan Coen masterpiece, I would expect more than just amusing weirdness, however well-paced it is.
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