Requiem for a Dream

It's brilliant filmmaking, but its excessive darkness is its biggest weakness. Aronofsky, as co-writer of the screenplay, in an attempt to play on the darkest possible string, committed several screenwriting blunders, and very big ones at that. However, if I had to pick one drug-themed movie out of all the ones I wanted to use to discourage my potential offspring from using drugs, it would pick this one. It's not nearly as sophisticated and complex as, say, Traffic, and it's leaky script-wise, but it's so disgusting in its depiction of the consequences of drug use that it would have served its purpose perfectly. (11/02/2004)

After a second screening I have to say that Requiem for a Dream has become one of the most influential and powerful film experiences of my life. Few other films can evoke such a feeling of depression and at the same time impress with their first-class formality, which doesn't so much cross the line of perfection as push it by leaps and bounds. If something seemed slightly unfinished or overdone the first time, the second time I was completely swept away by the geyser of fresh ideas and bold shots, everything seemed to be exactly in place and the intensity of the story was all the more overwhelming because it was achieved without any big twists or ideas. It’s almost unbelievable how Aronofsky can wring the viewer out with just a few clever cuts, and how Clint Mansell can create a stifling and unpleasant atmosphere right from the start with a single musical motif that couldn't have been better and makes you wonder how something so beautiful and chilling could have been composed in the first place. And the final trump card is the absolutely amazing cast, Leto, Connely and Wayans give the performances of a lifetime, but all of them are topped by the phenomenal Ellen Burstyn, whose creation is breathtaking and academics deserve a good beating over the head with a dictionary to understand what the word acting means. Maybe I'm writing a bit hastily now, with the central melody and the breathtaking, flawlessly edited final scene still running through my head, but from my point of view this is one of the most worthwhile films of all time. If you've ever thought for even a brief moment about taking hard drugs, watch Requiem for a Dream and the craving will pass quickly. 100% (11/06/2013)

Aronofsky hit me right in the heart with this arrow. The absolutely brilliant central string theme, the depressing atmosphere in every second, but most of all the hopelessness, the inescapability, the insane suffering, overall compounded by the uncompromisingly harsh yet absolutely perfect direction. It's really hard to talk about any hint of optimism or hope here, every character suffers the same, long and forever... (13/07/2009)

I’ve just watched it and I’m full of impressions. This film should be mandatory for anyone thinking about trying drugs. I can’t remember ever watching a more intense and more hopeless film. Even the beginning is no idyll and things only get worse with every minute, and by the end the situation is utterly bleak. Aronofsky seems to be a huge talent and I don’t think it’s too off the mark to say that he’s one of the most promising directors today. The way he plays with images, music and sounds is just perfect, the direction of the dream and hallucinogenic sequences is truly psychedelic. 100% (16/09/2008)

Requiem for a Dream is a breathtaking journey into the human mind, which hides countless horrors and phobias in its recesses and is a virtually inexhaustible commodity as a film subject. Who really knows what goes on inside the heads of people who are addicted to any kind of drug? And it is Darren Aronofsky who manages to outline one variant in this powerfully emotional film in a rather convincing and frighteningly realistic way. Ellen Burstyn was incredibly real and embraced her role to the fullest, while being complemented brilliantly by the performances of Jared Leto and Jennifer Connelly. All of the pillars (direction, actors, cinematography, editing, sound... and especially the music) that make up a solid film were firmly planted in the ground, and I just enjoyed the stirring spectacle that raced inexorably towards one of the most impressive conclusions in cinema. In short, the perfect prototype for a psychological drama with a nod to thriller, with which Aronofsky rose strongly in my estimation. (29/04/2011)