Directed by:
Quentin TarantinoScreenplay:
Quentin TarantinoCinematography:
Robert RichardsonComposer:
Robert RodriguezCast:
Uma Thurman, David Carradine, Michael Madsen, Daryl Hannah, Chia-Hui Liu, Lucy Liu, Vivica A. Fox, Michael Parks, Bo Svenson, Jeannie Epper, Samuel L. Jackson (more)Plots(1)
Having already crossed two names from her Death List, the Bride resumes her quest for justice, taking aim at Budd and Elle Driver, the only survivors from the squad of assassins who betrayed her four years earlier. It's all leading up to the ultimate confrontation with Bill The Bride's former master and the man who ordered her execution. (Miramax Films)
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Reviews (12)
Almost literally the same as the first film. Formal expressiveness disappears and the dialogues drag on like the saliva of a drunk Mexican. I liked a few things (the characters of Master Pai Mei and the typical Tarantino dirty man Budd), but the whole is terribly annoying, stretched, fragmented, disharmonious, awkward and hopeless. Moreover, Uma Thurman seems rigid and unnatural in the kung fu scenes. Yes, I'm biased, I admit, but I really don't care for this. I understand what Tarantino is up to, I appreciate the certain grip on his aesthetic plan, but I can't do anything about the fact that the whole seems like total stupidity to me. All I really like about Kill Bill is the final duel with Bill, for which I give the second film one more star.
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Quentin Tarantino is very original and his directing is apparent every single second, whether it's the craftsmanship (black and white passages, animated parts, etc.) or the content. More than bloody killings, he focuses on what makes a film a film (dialogues, characters, etc.) and he does it well. Uma Thurman is excellent, David Carradine is a superb villain, and it's all very stylish.
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Although both parts are like day and night in terms of how different they are in their expression, Kill Bill is still a unique and cohesive film work that functions in every aspect. Combining neowestern with samurai swords is such an eccentric idea that it could only result in a disaster or an unforgettable experience. It is to Quentin Tarantino's credit that he accomplished the latter, and his creation matures at an unexpectedly fast pace.
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While the first movie was just a showcase of Tarantino the director, this time the story gets a word in. Uma no longer has to strut her kung fu stuff, so she no longer looks like a paddle come to life and, most importantly, Quentin has moved closer to Sergio Leone. Which greatly benefits the movie (and Tarantino). A massive benefit! ♫ OST score: 4/5
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Gallery (127)
Photo © 2004 Miramax films
![Kill Bill: Vol. 2 - Photos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/168/725/168725738_yx6l7x.jpg)
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