Directed by:
Jonathan DemmeCinematography:
Tak FujimotoComposer:
Rachel PortmanCast:
Denzel Washington, Meryl Streep, Pablo Schreiber, Liev Schreiber, Kimberly Elise, Jon Voight, Jeffrey Wright, Anthony Mackie, Dorian Missick, Željko Ivanek (more)VOD (1)
Plots(1)
When his army unit was ambushed during the first Gulf War, Sergeant Raymond Shaw saved his fellow soldiers just as his commanding officer, then-Captain Ben Marco, was knocked unconscious. Brokering the incident for political capital, Shaw eventually becomes a vice-presidential nominee, while Marco is haunted by dreams of what happened or didn't happen in Kuwait. As Marco (now a Major) investigates, the story begins to unravel, to the point where he questions if it happened at all. Is it possible the entire unit was kidnapped and brainwashed to believe Shaw is a war hero as part of a plot to seize the White House? Some very powerful people at Manchurian Global corporation appear desperate to stop him from finding out. (Umbrella Entertainment)
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Reviews (4)
If I overlook the fact that the book is markedly different (and, unsurprisingly, much better), this is a well-acted, solid thriller with a few illogicalities. But what buries this further underground is its attempt to adapt it to fit the current political situation. This attempt was seriously unsuccessful and it lacks the “urgency" of the original.
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It's not exactly a great remake, but then again it's not a bad movie. Jonathan Demme is such an experienced director that he managed to make a quality film, but it lacks the power and impressions you'll have after watching the original. Moreover, even the final outcome is quite different, which is simply a pity. History did not repeat itself here.
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A pretty decent conspiracy thriller in the vein of Enemy of the State or Conspiracy Theory. However, unlike Ridley Scott and Richard Donner, Jonathan Demme is significantly weaker both in visuals and content.
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Given that I was expecting a formally conservative political thriller, this paranoid sicko raised creases in my face. A fantastically shot drama comparable in every way to Jacob's Ladder. But here it also hits hard, because what worked in the 50s might work today on a more metaphorical level, reflecting even more overtly American wounds than the conflict half of people have forgotten nowadays anyway. After all, every politician has a trigger chip and without necessarily needing to drill into his skull.
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