Crash

Find strength, courage, and a clear mind. And let yourself get caught up in the clash. It's harder than it seems, because you might have to overcome some prejudices. Not necessarily the racial ones that Paul Haggis talks about, but purely cinematic ones. It requires rising above contrivance, incredibility, or potential calculation. This creative team certainly isn't aiming for that. There were times when I couldn't find a single wrong word to say about Crash, thanks to its sincerity and persuasiveness, and even though I now understand that everything fits together perhaps a bit too easily and not all the storylines are masterfully told, even ten years after its sensational Oscar triumph, it remains painfully relevant and timeless. The actors, the script, the perfectly captivating yet unobtrusive music, and one of the most flawless scenes I have ever seen, "I'll protect you", are responsible for that. And it's a scene that nobody who has seen the film will forget. (28/10/2005)

Overall, pretty ordinary stories of ordinary people (read typical Yanks of all three races), but they are presented with quite good directorial skill and interesting work and narrative style, making Crash an engaging film that can grab and not let go. There is only one point and fairly simple, there is more or less no story, but the A-list cast and the director's clear goal of showing the viewer an ordinary American day, along with the clearly established rules between whites and blacks, make for an enjoyable two hour film that makes you sweat at times. (15/09/2022)

The mirror reflecting contemporary America is perhaps angled in a way so as to provide the most effective reflection, but the whole thing is so believable that it's hard to resent it for that. Haggis's minimalist form achieves the best effect, which is an emotional attack on the viewer. Simple camera work, no directorial gimmicks or excesses, subtle music by Mark Isham, and above all, strong content that, in its own way, lacks a unified plot but instead fragments into a complex mosaic of individual human destinies and leaves an incredibly powerful, realistic, and human impact. Moreover, the strong cast elevates the quality of the film even higher. Still, I can't help but bring up one name - Don Cheadle. He is perhaps unfairly overlooked as an actor, but he proved here that he belongs to the absolute top in his field and that he has no issues taking on any role. Coincidences may not exist, but after watching Crash, one can successfully question that notion. (02/12/2005)

There are certainly a few scenes that get under your skin and make you shudder, but as a whole it’s too contrived, too "for effect" (in this respect I experienced the same feelings at the turning point in Haggis's other film Million Dollar Baby), too many coincidences that I found hard to accept, unbelievable behaviour of some of the characters. I didn’t buy it... (29/10/2005)

I'm not a big fan of movies where multiple stories intertwine. But here, I don't even mind and the individual stories seemed complete. I felt the most emotion when Thandie Newton was being pulled out of the crashed car. But I was also touched by the fates of the other characters. I was really on edge at some points. Otherwise, I was amazed by the great music and unique atmosphere for most of the film. The film lived up to my expectations, yet I won't give it 5 stars. In the beginning, some parts were a bit boring. (20/08/2011)