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In the future, crime is out of control and the island of Manhattan is a maximum security prison. The rules are simple: once you're in, you don't come out. Buy when the President's plane crash lands into the centre of the city, Snake Plissken (Kurt Russell), a one eyed lone warrior new to prison life, is coerced into a rescue mission to bring the President and his cargo out of this land of undesirables. (Universal Sony Pictures Home Entertainment)

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Reviews (11)

kaylin 

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English I like John Carpenter, but I've found that I haven't seen some quite significant films he directed - and there are quite a few of them. Yes, this was one of them. I was expecting it to be a bit crazier, but I definitely wasn't disappointed. There are excellent characters here, but above all, the environment is beautifully brutal. Man evolves long enough to eventually become this. Well, we couldn't be surprised, even though the year 1997 is successfully behind us. ()

J*A*S*M 

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English Carpenter’s famous cult movie didn’t work on me. The atmosphere is fine, Russell is tough as nails, but the very premise of Manhattan as a prison (that was set up god knows why) is very silly. I know looking for logic in films of this kind is nonsense, but in Escape from New York all those inconsistencies were way too evident. ()

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lamps 

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English Carpenter’s precise B-movie hit demands that you not think about the wider context of the story and instead adapt to the requirements of low-brow entertainment, but the director will pay you back with interest. Kurt Russell is great and is accompanied by a host of top-acting talent and, despite the occasional silliness, this is pure filmmaking that, even within its premise, can be taken pretty seriously. The uncontrolled “trash” fun will come with the sequel. 75% ()

agentmiky 

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English I understand that with a film that's 38 years old, I can't set my expectations too high, but I was still quite disappointed. I’m a big fan of Carpenter as a director; I will never stop praising The Thing, but this one didn’t quite meet expectations. The idea of a prison on Manhattan appealed to me; it had something to it, and I could overlook the plot element of rescuing the American president as the main focus of the story. Yes, it's not innovative at all, but on the other hand, such a plot was typical of many action films of that era, so I don't think it’s fair to hold that against this film. Kurt Russell as Snake Plissken was intentionally over-the-top in the script, which actually suited his character, so I don’t see a problem there either. However, the execution faltered; at times it felt almost like a theatrical production, which isn’t my cup of tea. The plot moved forward very slowly, and the climax with crossing the booby-trapped bridge felt more amusing than serious. I understand that many people consider it a classic. Maybe I needed to be born at that time; to me, it seemed like a complete brain drain that made less and less sense as the minutes went by. But definitely check it out just for Russell and form your own opinion. I give it 51%. ()

Othello 

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English The president’s plane crashes in Manhattan, which is a giant self-governing prison, and the biggest tough mudafucka with an eye patch has 24 hours to get him out of there like FTW. If I'd known this movie when I was a kid, I wouldn't have made it out of third grade. And I'd probably starve to death in front of the video. The ideal cure for a creative crisis, I think, would be just listening to kids play on a road carpet. ()

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