Infested

I'm definitely not a fan of spiders, but my curiosity lured me to the cinema to see Infested, as I have a bit of a thing for animal horror movies (about overgrown crocodiles, snakes, boars, sharks, etc.). Sébastien Vaniček's film impresses with a soundtrack I would have expected in a film about drugs or the mafia rather than deadly eight-legged creatures - though drugs are often mentioned. As far as the action-horror level is concerned, it works on the whole; here I would highlight especially the scene with the flashing corridor, which gave me solid goosebumps. But the overall experience is noticeably marred by the characters and their actions, it was really hard to root for them to escape the "web of death". (06/06/2024)

Objectively a strong 4*, but I can't help but go for a full score, as we haven’t seen a quality movie with spiders for 20 years, this is such a terribly intense, yet underrated and (for some reason??) forgotten genre that every addition is welcomed with open arms by all fans. And Sebastien Vaniček has done a truly incredible job of it, because Infested is top shit in every way, from the expensive visuals to the never-ending suspense to the excellent five leads, who can act and can be scared, I fully bought their emotions. The looks of the spiders is disgusting and arachnophobes can forget about the film as this is really quite unpleasant and can terrify even the most hardened. I also have to praise the certain "overkill" of the whole concept of evolving spiders as it opens the door to endless variety in terms of spider evolution in a few hours, so we get all the different sized creatures at once, which is a big plus. The film has momentum, a solid pace, and expensive visuals – what more could you ask for? Not to just praise, I also have to critically say that the film has quite a few flaws: sometimes people act stupid, I'm a bit disappointed that we didn't get more heart-attack inducing scenes, where, for example, the spiders would have crawled more on the characters and we as viewers could have enjoyed more physical disgust on ourselves and felt them behind the screen, and it's also a great pity that the finale doesn't actually explain the whole thing and showing us how the situation was resolved. However, due to the absolute drought in this (sub)genre, this is a full five out of the park and I absolutely cannot understand why more films with spiders aren't made, as when a solid budget is added to the mix, half the battle is won and there's always a fanbase for this type of movies. Anyone who doesn't see spiders everywhere they go for a few days after this film probably didn't watch it right and should repeat the process with headphones and a darkened room. Great. (30/04/2024)

What an intense ride. I haven't squirmed in my seat like that in a long time. Vermines is an instant classic, right up there with Arachnophobia in the spider horror subgenre. The filmmakers nailed the perfect blend of practical effects, CGI, and live spiders, making it incredibly effective. If you have a severe fear of spiders, this film will leave you physically unsettled. I never expected something like this to come out of France, and even more surprising, it's a debut. I'm looking forward to seeing more from Vaniček in the future. (13/10/2023)

Vermines is a bit like Arachnophobia in the French way. You get rather unconventional and not very likeable characters, a grimy slum setting and a very limited amount of humour, but you also get solid action, very indiscriminate spider terror and a few scenes that will make you uncomfortable in your seat. The film uses real creatures in many scenes, and when it goes into computer-generated effects, it's not noticeable at all, so the realistic visuals do a lot for the viewer's effect. There probably aren't that many good spider horror movies historically, but this one can easily count among them. (13/10/2023)

Attack the Block for entomology. The scene of walking through the hallway to the garages, which felt like a challenge from Fort Boyard accompanied by shouts of allez, allez, vas-y, vas-y, served as a turning point where arachnophobia started to be somewhat forcibly replaced by capiophobia (fear of two-legged arthropods with pincers). At the same time, the inverse relationship began to be confirmed: the bigger the spider, the less authentic the sense of dread (the bathroom attack remained unsurpassed). When the problem on the outskirts of society was finally brought down, I remembered Kandisha by the duo of Alexandre Bustillo and Julien Maury and started wondering if there was something deeper to be found behind it... (06/05/2024)