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The rise of country music legend Johnny Cash (Joaquin Phoenix) begins with his days as a boy growing up on the family farm, where he struggles under the scorn of his father (Robert Patrick). As the years' pass, Cash ends up in Memphis, Tenn., with his wife, Vivian (Ginnifer Goodwin), and breaks into the music scene after finding his trademark sound. While on tour, Cash meets the love of his life, singer June Carter (Reese Witherspoon), but Cash's volatile lifestyle threatens to keep them apart. (20th Century Fox AU)

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POMO 

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English Walk the Line is a musical biopic in the mold of Ray, but it’s a bit more sincere and concise, without so much Hollywood artifice, which can only be a good thing. Plus the superb duo of Joaquin Phoenix and Reese Witherspoon. If only they would start making such movies about directors, which are closer to my heart than musicians, with the same degree of love… ()

Stanislaus 

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English I love biopics, and Walk the Line is a prime representative of this category. The film is about the tumultuous life of Johnny Cash, who spent much of his life battling his personal demons, and it's shot with elegance and feels very believable, thanks largely to the breathtaking performances of Joaquin Phoenix and Reese Witherspoon. I love country music style because it's full of life and rhythm, and the two main protagonists add even more juice. In short, a great job of filmmaking, where I appreciate especially the theme, the acting and the music. ()

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novoten 

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English Some movies will thoroughly change you, even with a proper distance. I mocked the country at the time of watching, Reese I more or less ignored, and everything was suddenly different after the screening. Although I don't actively listen to Cash, I took all the life warnings that Walk the Line subtly throws one after another to heart, and (however pathetically it may sound) I would like to believe that they helped me several times to turn correctly at the most important crossroads. This biographical spectacle is not among my top ten, not even among my top fifty. However, there is so much truth in it regarding temptations, difficult decisions, love, and career, that I once put Phoenix's portrait from the cartoon poster in my avatar - and I have kept it there until today. A personal film in the most obvious sense of the word. ()

kaylin 

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English For me, the movie that showed me that biographical films can be and are interesting, which has been confirmed in recent years to some extent, although of course not with every piece. Just remember "Behind the Candelabra!" Joaquin Phoenix inexplicably did not win an Oscar, despite his brilliant performance in which he managed everything, including singing. By the way, another reason why the film is excellent - Johnny Cash's songs. ()

lamps 

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English In the context of the film's ambitions, which largely focus on the more complex and mainly darker side of Johnny Cash's personality, there's not much to reproach. Mangold is very adept at navigating the rock 'n' roll scene and wild life of the 60s, and he handles the interweaving of the three basic plot levels – Johnny's mental decline, the fateful love between him and June, and the problematic relationship between him and his father – with understated craftsmanship. But the film sticks to this scheme so tenaciously that the true and unique story about the beginnings of a music legend ends up being a classic Hollywood romance devoid of any surprises. But that doesn't change the fact that the film itself is great, that Johnny Cash's music is timeless, and that Joaquin and Reese not only look great together but also sing absolutely amazingly well. Superb filmmaking, deservedly rewarded with the attention of the Academy. 85% ()

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