Coraline

At first glance, there were a lot of scenes that reminded me slightly of other films. The well where the key was thrown was reminiscent of The Ring, the metal hand was reminiscent of Freddy Krueger, and as a whole it felt at times like a mix of Alice in Wonderland and the gloomy atmosphere of Corpse Bride. But whatever! I enjoyed it. In terms of running time, it was adequate. The music fit the passages perfectly, and the characters were interesting to the point of bizarre (especially Mr. B and the other mother). I was thinking 4*, but I'll round up because this animated film was indeed my cup of tea, full of colourful bleakness and great moments. (14/02/2010)

I made myself watch it and I feel like it's matured a little bit. I don't always let Gaiman get to me. There's still the contrast between genuine horror and pleasingly button-grotesqueness, but it's still great regardless. The stop-motion animation is also incredibly rich and imaginative. So why not? (24/09/2009)

This type of animation simply isn't seen very often anymore. I'm also glad that Henry Selick chose this slim book by Neil Gaiman to adapt into a stop-motion animated film. This animation style suits Coraline incredibly well, and I'm glad there are still people who appreciate and put in the effort for stop-motion animation. The result is worth it. Plus, the horror-themed cartoon is all the better for it. And this fairy tale has the makings of a horror film. (24/12/2013)

One of the most interesting animated films of recent times, which is mainly based on the quality book by Neil Gaiman, currently one of the most interesting creators of alternative worlds. Coraline can satisfy both children, except perhaps the smallest ones, as it contains dark motifs and scary scenes, as well as adults, as it has a very clever story with interesting characters and a significant message, it is filmed dynamically, with a sense for visual art, and it almost deserves five stars. Paradoxically, in my eyes, it is harmed by what current animated blockbuster productions are based on, i.e., typical computer graphics, which makes it lack a certain exclusivity characteristic of classic drawing and animation. Overall impression: 85%. (30/04/2010)

The film features an Alice theme, a script for a short at most, and Selick's eccentric fantasizing. After half an hour it simply doesn't do anything and comes ever closer to the desperate cry "Let something start happening, for God's sake!" Ironically, what I enjoyed the most was Dakota, who intones perfectly and literally "acts" in the vocal positions of a nasty brat, a scared little girl, and a brave girl. The rest of it was terrible and didn't even need the assistance of Tim Burton. (31/12/2009)